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Resultaten voor 'sharon cameron'
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The Likeness of Things Unlike
A Poetics of Incommensurability“For nearly half a century, Cameron has been the gold standard of literary critical brilliance in the field of American literature. In The Likeness of Things Unlike, she continues her inquiry into the intricate ways in which literary language dwells in a region populated by the incommensurable, the unaccommodated, what cannot ‘be identified as this or that’ because they ‘emerge in excess of either,’ challenging paradigms and categories. There could be no better guide than the incomparable Cameron to chart this excitingly volatile linguistic territory. The Likeness of Things Unlike is a dazzling work of exhilarating intellectual vigor.”
€ 30,50 -
The Likeness of Things Unlike
A Poetics of Incommensurability“For nearly half a century, Cameron has been the gold standard of literary critical brilliance in the field of American literature. In The Likeness of Things Unlike, she continues her inquiry into the intricate ways in which literary language dwells in a region populated by the incommensurable, the unaccommodated, what cannot ‘be identified as this or that’ because they ‘emerge in excess of either,’ challenging paradigms and categories. There could be no better guide than the incomparable Cameron to chart this excitingly volatile linguistic territory. The Likeness of Things Unlike is a dazzling work of exhilarating intellectual vigor.”
€ 127,50 -
The Bond of the Furthest Apart
Essays on Tolstoy, Dostoevsky, Bresson, and KafkaSharon Cameron is the William R. Kenan Jr. Professor Emerita of English at Johns Hopkins University. She is the author of many books, including, most recently, Impersonality: Seven Essays, also published by the University of Chicago Press.
€ 110,95 -
Choosing Not Choosing
Although Emily Dickinson copied and bound her poems into manuscript notebooks, in the century since her death her poems have been read as single lyrics with little or no regard for the context she created for them in her fascicles. Choosing Not Choosing is the first book-length consideration of the poems in their manuscript context. Sharon Cameron demonstrates that to read the poems with attention to their placement in the fascicles is to observe scenes and subjects unfolding between and among poems rather than to think of them as isolated riddles, enigmatic in both syntax and reference. Thus Choosing Not Choosing illustrates that the contextual sense of Dickinson is not the canonical sense of Dickinson. Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), "not choosing" is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by "not choosing" is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.
€ 41,50 -
Thinking in Henry James
Thinking in Henry James identifies what is genuinely strange and radical about James's concept of consciousness—first, the idea that it may not always be situated within this or that person but rather exists outside or "between," in some transpersonal place; and second, the idea that consciousness may have power over things and people outside the person who thinks. Examining these and other counterintuitive representations of consciousness, Cameron asks, "How do we make sense of these conceptions of thinking?"
€ 38,95 -
The Bond of the Furthest Apart
Essays on Tolstoy, Dostoevsky, Bresson, and KafkaSharon Cameron is the William R. Kenan Jr. Professor Emerita of English at Johns Hopkins University. She is the author of many books, including, most recently, Impersonality: Seven Essays, also published by the University of Chicago Press.
€ 35,95 -
Choosing Not Choosing
Although Emily Dickinson copied and bound her poems into manuscript notebooks, in the century since her death her poems have been read as single lyrics with little or no regard for the context she created for them in her fascicles. Choosing Not Choosing is the first book-length consideration of the poems in their manuscript context. Sharon Cameron demonstrates that to read the poems with attention to their placement in the fascicles is to observe scenes and subjects unfolding between and among poems rather than to think of them as isolated riddles, enigmatic in both syntax and reference. Thus Choosing Not Choosing illustrates that the contextual sense of Dickinson is not the canonical sense of Dickinson. Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), "not choosing" is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by "not choosing" is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.
€ 110,95 -
Impersonality
Seven EssaysPhilosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism—writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one’s voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. “To consent to being anonymous,” Weil wrote, “is to bear witness to the truth. But how is this compatible with social life and its labels?” Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility—from a “truth” that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.
€ 44,50