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Resultaten voor 'tom taylor'
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Batman: Detective Comics Vol. 1
Over the years, the Caped Crusader has faced down foes of all different shapes and sizes, from killer mutants to cosmic deities and everything in between. Now, however, he finds himself staring down an enemy like never before: The cold and uncaring march of time!Over the years, the Caped Crusader has faced down foes of all different shapes and sizes, from killer mutants to cosmic deities and everything in between. Now, however, he finds himself staring down an enemy like never before: The cold and uncaring march of time!Batman confronts his own mortality and uncovers a far-reaching and deadly conspiracy in the process that threatens the very heart of Gotham City. How far will the Dark Knight go to ensure he is able to stand vigil over his home for decades to come? And what price will he have to pay? Collects Detective Comics #1090-1096
€ 21,50 -
Will of Darth Vader
When the Rebellion's hit-and-run attacks on Imperial cargo ships become too audacious to be ignored, Darth Vader is sent in to find the Rebel base and destroy it. But the base, hidden in the center of a constantly shifting asteroid field, cannot be attacked directly. To reach his target, Vader will have to team up with a recently captured smuggler named Zika -- and dealing with an unwilling, wisecracking partner may be more of a trial for the Dark Lord than the actual mission!
€ 35,00 -
Our American Cousin
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene's Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene.The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family's affairs. An inevitable rescue of the family's fortunes and of the various damsels in distress ensues.Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character's nonsensical adages, which soon came to be known as "Dundrearyisms," and for which the play eventually gained much of its popular appeal.
€ 19,95 -
The Autobiography and Memories of Benjamin Robert Haydon
"The Autobiography and Memories of Benjamin Robert Haydon" (Volume 2) offers a profound and often tumultuous look into the life of one of Britain's most passionate historical painters. In this continuation of his personal journals and recollections, Haydon provides a vivid account of the 19th-century London art scene, detailing his unyielding devotion to the Grand Style of painting. The work captures his intense professional rivalries, his financial tribulations, and his deep-seated conviction in the moral power of art. Beyond the canvas, these memoirs are celebrated for their literary merit and historical insight. Haydon's observations extend to his social circle, featuring intimate portraits of contemporary figures such as John Keats, William Wordsworth, and Charles Lamb. This volume chronicles the artist's later years, marked by both monumental creative efforts and the tragic pressures of public indifference and debt. Edited with contributions by Tom Taylor and featuring an introduction by Aldous Huxley, this collection serves as both a gripping psychological study of a driven artist and a rich historical document of the 1800s. It remains an essential read for those interested in the intersections of art, biography, and the cultural landscape of the Victorian age. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
€ 37,50 -
The Autobiography and Memoirs of Benjamin Robert Hayden
"The Autobiography and Memoirs of Benjamin Robert Hayden, 1786-1846," provides an unfiltered and compelling perspective on the life of a central figure in 19th-century British art. Compiled from the artist's personal journals and extensive correspondence, this first volume documents the triumphs and tribulations of a man dedicated to the pursuit of grand-scale historical painting. Benjamin Robert Haydon was not only a painter but a passionate critic and observer of his age, and his writings serve as a primary source for the cultural history of the Romantic era. The text brings to life Haydon's interactions with prominent figures such as William Wordsworth, John Keats, and Sir Walter Scott, offering a rich tapestry of the intellectual and social circles of the time. Beyond the celebrity encounters, the work reveals the inner struggles of an artist battling financial instability and a perceived lack of institutional support. This volume is an essential piece of art history, providing a raw account of the dedication required to follow a singular artistic vision. It stands as a testament to the complex relationship between an artist and the society he sought to elevate through his work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
€ 37,50 -
The Autobiography and Memories of Benjamin Robert Haydon
"The Autobiography and Memories of Benjamin Robert Haydon" (Volume 2) offers a profound and often tumultuous look into the life of one of Britain's most passionate historical painters. In this continuation of his personal journals and recollections, Haydon provides a vivid account of the 19th-century London art scene, detailing his unyielding devotion to the Grand Style of painting. The work captures his intense professional rivalries, his financial tribulations, and his deep-seated conviction in the moral power of art. Beyond the canvas, these memoirs are celebrated for their literary merit and historical insight. Haydon's observations extend to his social circle, featuring intimate portraits of contemporary figures such as John Keats, William Wordsworth, and Charles Lamb. This volume chronicles the artist's later years, marked by both monumental creative efforts and the tragic pressures of public indifference and debt. Edited with contributions by Tom Taylor and featuring an introduction by Aldous Huxley, this collection serves as both a gripping psychological study of a driven artist and a rich historical document of the 1800s. It remains an essential read for those interested in the intersections of art, biography, and the cultural landscape of the Victorian age. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
€ 25,50 -
The Autobiography and Memoirs of Benjamin Robert Hayden
"The Autobiography and Memoirs of Benjamin Robert Hayden, 1786-1846," provides an unfiltered and compelling perspective on the life of a central figure in 19th-century British art. Compiled from the artist's personal journals and extensive correspondence, this first volume documents the triumphs and tribulations of a man dedicated to the pursuit of grand-scale historical painting. Benjamin Robert Haydon was not only a painter but a passionate critic and observer of his age, and his writings serve as a primary source for the cultural history of the Romantic era. The text brings to life Haydon's interactions with prominent figures such as William Wordsworth, John Keats, and Sir Walter Scott, offering a rich tapestry of the intellectual and social circles of the time. Beyond the celebrity encounters, the work reveals the inner struggles of an artist battling financial instability and a perceived lack of institutional support. This volume is an essential piece of art history, providing a raw account of the dedication required to follow a singular artistic vision. It stands as a testament to the complex relationship between an artist and the society he sought to elevate through his work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
€ 25,50 -
Batman: Detective Comics Vol. 3: The Courage That Kills
From Eisner Award–winning writer Tom Taylor and artist Mikel Janín comes The Courage That Kills—a mind-bending Batman story where Gotham’s greatest weapon is fear itself.Criminals are a superstitious lot, something the Dark Knight has long used to strike fear into their hearts in his fight to uphold justice. But what if Gotham was a city without fear? Would its citizens find freedom without inhibitions, or be driven suicidal by an inability to process mortal terror? That’s exactly what Gotham’s newest villain wants to find out. A mysterious, weaponized virus is discovered with a death toll already in the dozens. With the threat of a city-wide attack looming, the investigation crashes to a halt when the Dark Knight himself becomes infected. Now, in a race against time, Batman must rely on the help of Mr. Terrific, Superman, and more to find the answers he seeks before the virus takes control of his body and mind...forever. Collects Detective Comics #1101-1106, the latest in the celebrated saga from comics superstars Tom Taylor (Nightwing) and artist Mikel Janín (Justice Society of America).
€ 27,50 -
Batman: Detective Comics Vol. 3: The Courage That Kills
From Eisner Award–winning writer Tom Taylor and artist Mikel Janín comes The Courage That Kills—a mind-bending Batman story where Gotham’s greatest weapon is fear itself.Criminals are a superstitious lot, something the Dark Knight has long used to strike fear into their hearts in his fight to uphold justice. But what if Gotham was a city without fear? Would its citizens find freedom without inhibitions, or be driven suicidal by an inability to process mortal terror? That’s exactly what Gotham’s newest villain wants to find out. A mysterious, weaponized virus is discovered with a death toll already in the dozens. With the threat of a city-wide attack looming, the investigation crashes to a halt when the Dark Knight himself becomes infected. Now, in a race against time, Batman must rely on the help of Mr. Terrific, Superman, and more to find the answers he seeks before the virus takes control of his body and mind...forever. Collects Detective Comics #1101-1106, the latest in the celebrated saga from comics superstars Tom Taylor (Nightwing) and artist Mikel Janín (Justice Society of America).
€ 21,50 -
All-New Wolverine Modern Era Epic Collection: Orphans of X
Laura Kinney proves herself worthy of the mantle as the All-New Wolverine!From the stars comes death! An alien ship. A dying passenger. And two words that will forever change Laura’s life. It’s a nonstop race against a deadly transformative disease as Wolverine faces a battle in a quarantined city against a mysterious villain. Can the Guardians of the Galaxy help turn the tide? Then Daken, Logan’s enigmatic son, is kidnapped — and it’s up to his “sister” to find him! But when the trail leads Wolverine back to the facility where she was created and tortured, she’ll find new horrors waiting for her! When Gabby makes a shocking discovery, she turns to the only person she can trust: Deadpool?! But will Wade Wilson help Gabby on her mission of vengeance, or will he only make matters worse? And what will tomorrow bring for...Old Woman Laura? Years from now, Laura is living in a utopia where super heroes have ushered in worldwide peace. So what simmering evil could force Wolverine out of retirement?COLLECTING: All-New Wolverine (2015) #19-35, Generations: Wolverine & All-New Wolverine (2017) #1Written by Tom TaylorPenciled by Leonard Kirk, Juann Cabal, Marco Failla, Djibril Morissette-Phan & Ramon Rosanas
€ 47,00 -
Our American Cousin
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene's Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene.The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family's affairs. An inevitable rescue of the family's fortunes and of the various damsels in distress ensues.Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character's nonsensical adages, which soon came to be known as "Dundrearyisms," and for which the play eventually gained much of its popular appeal.Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene's Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene.The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family's affairs. An inevitable rescue of the family's fortunes and of the various damsels in distress ensues.Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character's nonsensical adages, which soon came to be known as "Dundrearyisms," and for which the play eventually gained much of its popular appeal.
€ 21,40 -
Seven secrets. Vol. 3
I sette segreti più sconvolgenti della Storia sono custoditi da secoli dall'Ordine, e dormono al sicuro all'interno di sette valigette. Tuttavia, accade l'imponderabile e un giorno le inestimabili valigette vengono rubate. Toccherà ritrovarle al più recente affiliato dell'Ordine, Caspar, e non ci sarà un minuto da perdere, perché se i sette segreti venissero rivelati al mondo... saremmo tutti in gravissimo pericolo! Prosegue l'adrenalinica e sagace saga action di Tom Taylor, pluripremiato autore best seller del New York Times e sceneggiatore di Suicide Squad, Injustice e Friendly Neighbourhood Spider-Man, illustrata dal talentuoso artista milanese Daniele Di Nicuolo (Mighty Morphin Power Rangers).
€ 26,50