Resultaten voor 'vern'

Imperial Islands

Reimagines the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories.

1. Miroslav , Verner

The Pyramids (New and Revised)

An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt's and Sudan's pyramids, their historical and political significance, updated in a magnificent new editionA pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592-2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539-1292 BC).Nearly two decades have passed since distinguished Egyptologist Miroslav Verner's seminal The Pyramids was first published. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt's enigmatic and most celebrated of ancient monuments. In this newly revised and updated edition, including color photographs for the first time, Verner brings his rich erudition and long years of site experience comes to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt's and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.

1. Vernon Hyde , Minor

Baroque Visual Rhetoric

Intricate, expressive, given to grandeur and even excess, Baroque art as a style is inseparable from the meanings it seeks to convey. Vernon Hyde Minor’s Baroque Visual Rhetoric probes this combination of style and message and – equally importantly – the methodological basis on which the critical art historian comes to establish that meaning. Drawing on a breathtaking range of critical literature, from the German founders of art history as an academic discipline to Heidegger, Derrida, and de Man, Minor considers the issue through a series of Baroque masterpieces: Bernini’s Baldacchino in St. Peter’s Basilica, the statues in the church of San Giovanni in Laterano, Borromini’s church of Sant’Ivo alla Sapienza, Baciccio’s frescoes in the church of Il GesÙ, the paintings of Philippe de Champaigne, and the Corsini Chapel in San Giovanni in Laterano.