Resultaten voor 'vern'

1. Nabeel , Zuberi

Popular Music, Race, and Media Since 9/11

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

The Heroic in Music

Reconstructs the socio-political history of the heroic in music through case studies spanning the middle ages to the twenty-first century

1. Jim Vernon

Sampling, Biting, and the Postmodern Subversion of Hip Hop

Drawing on the culture’s history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by ‘postmodern’ scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop’s pioneers and rap music’s most consequential artists.

1. Nicola , Dibben

Musical New Media

Recorded music creation and consumption underwent a huge shift in the first two decades of the 20th century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage' - the audio, performances, videos, films, books, games - that make up what we think of as 'music,' and gave rise to new forms of musical new media. Björk's Biophilia, widely acclaimed as the first 'app album,' is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications ('apps') for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.

1. Nicola , Dibben

Musical New Media

Recorded music creation and consumption underwent a huge shift in the first two decades of the 20th century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage' - the audio, performances, videos, films, books, games - that make up what we think of as 'music,' and gave rise to new forms of musical new media. Björk's Biophilia, widely acclaimed as the first 'app album,' is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications ('apps') for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.

1. Augusto , Vernarecci

Ottaviano De' Petrucci Da Fossombrone

Il libro ""Ottaviano De' Petrucci Da Fossombrone: Inventore Dei Tipi Mobili Metallici Della Musica Nel Secolo XV (1881)"" scritto da Augusto Vernarecci ¿¿¿¿¿ una biografia dell'inventore italiano Ottaviano De' Petrucci. De' Petrucci ¿¿¿¿¿ stato il primo a creare i tipi mobili metallici per la stampa di musica nel XV secolo. Il libro descrive la vita e le opere di De' Petrucci, esaminando il suo contributo alla stampa musicale e alla storia della musica in generale. L'autore esamina anche il contesto storico nel quale De' Petrucci ha lavorato, fornendo un'analisi dettagliata dell'epoca rinascimentale. Il libro ¿¿¿¿¿ una fonte preziosa per gli studiosi della storia della musica e della stampa, nonch¿¿¿¿¿ per gli appassionati di storia italiana.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.