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Women and Latin in the Early Modern Period
The first early modern women Latinists lived in mid-fourteenth century Italy, and were educated as diplomats. By the fifteenth century, other upper-class women were educated in order to perform as prodigies on behalf of their city. Both strands of education for women spread to other European countries in the course of the sixteenth century: the principal women humanists were either princesses or courtiers. In the seventeenth century Latin lost its importance as a language of diplomacy and was no longer needed at court, but there was still a place for the 'woman prodigy', and a variety of women performed in this way. However, the productions of seventeenth and eighteenth-century women Latinists are more extensive and more varied than those of their predecessors, and include scientific writing and ambitious translations. By the mid-nineteenth century the integration of studious women into the wider academy was well under way.
€ 78,00 -
A History and Catalogue of the Lindsay Library, 1570-1792
This is the first study of Jacobean Scotland's largest library: the collection assembled over several generations by the Lindsays of Balcarres. It challenges prior understandings of pre-Union Scotland's book culture, presents the catalogue of a collection of international importance for the first time, and recovers the intellectual history behind this "Great Bibliotheck". The volume includes chapters on the history of the library to the Restoration (Jane Stevenson) and from Restoration to Enlightenment (Kelsey Jackson Williams) as well as a detailed discussion of the library's reconstruction (William Zachs and Jackson Williams), a full catalogue, and appendices.
€ 227,50 -
The Library and Archive Collections of the University of Aberdeen
This volume commences with the the books and manuscripts given at the foundation of King's College in 1495, continues with the collections which accrued to Marischal College from its foundation in 1593, and comes together with the fusion of the two colleges in 1860 in the modern University of Aberdeen.From the beginning, the scope and focus of the University was international, and its developing collections represent a microcosm of the world of knowledge as it changed over the centuries. The University Colleges of Aberdeen have a distinct intellectual tradition: pragmatically tolerant in times of persecution; dissident from the religious and political policies of the Lowlands; looking outwards to the world of northern Europe and to the territories of the Jacobite diaspora.The book introduces one of the oldest continually-evolving academic library collections of the Anglophone world, surveys its history and includes a series of studies of items or collections of particular interest.
€ 131,50 -
The Works of Lucy Hutchinson
This is the second volume in a four-volume edition of the writings of Lucy Hutchinson, which have never before been published in a collected edition.
€ 390,50 -
Baroque Between the Wars
Baroque between the Wars is a fascinating and new account of the arts in the twenties and thirties. We often think of this time as being dominated by modernism, yet the period saw a dialogue between modern baroque--eclectic, playful, camp, open to influence from popular culture yet in dialogue with the past, and unafraid of the grotesque or surreal--and modernism, which was theory-driven, didactic, exclusive, and essentially neo-classical. Jane Stevenson argues that both baroque and classical forms were equally valid responses to the challenge of modernity, by setting painting and literature in the context of 'minor arts' such as interior design, photography, fashion, ballet, and flower arranging, and by highlighting the social context and sexual politics of creative production. Accessibly written and generously illustrated, the volume focuses on artists, artefacts, clients, places, and publicists to demonstrate how baroque offered a whole way of being modern which was actively subversive of the tenets of modernism and practised by the people modernism habitually defined as not worth listening to, particularly women and homosexuals.
€ 76,80 -
Liturgy and Ritual of the Celtic Church
Warren's book has been the single most useful compendium of information about the ritual aspects of the Celtic Church, which are of both historical and theological interest, since it was first published in 1881. It includes both a critical account of Celtic liturgy, and a collection of editions of Celtic liturgical texts, Cornish, Welsh, Scottish, and Irish, not all of which has been superseded. This new issue builds on the book's time-tested value by including an extensive new Introduction and Bibliography, which summarise current thought in liturgiology and Celtic history, and which are written with the needs of both Celticists and liturgists in mind. The new Introduction is organised topically, beginning with summary accounts of the developments of liturgy and Celtic history from approximately the fourth century to the eleventh, and continuing with more detailed examination of the specific areas in which the most new work and radical rethinking has been done since Warren's time. It includes references to the most recent or best editions of relevant texts, and to the relevant bibliographies, dictionaries and catalogues, which serve to up-date Warren's own reference-system, and, where appropriate, his editions of Celtic liturgical texts. JANE STEVENSON, of the Department of Anglo-Saxon, Norse and Celtic, University of Cambridge, is a research fellow at Pembroke College, Cambridge.
€ 175,70 -
Women Latin Poets
Women Latin Poets addresses women's relationship to culture between the first century B.C. and the eighteenth century A.D. by studying women's poetry in Latin. Based entirely on original archival research in twelve countries, Stevenson recovers an aspect of history often deemed not to exist: women who achieved public recognition in their own time, sometimes to a startling extent. Presenting, often for the first time, the work of more than three hundred women Latin poets, all translated and included in a comprehensive finding guide, Women Latin Poets substantially revises received opinion on women's participation in, and relation to, lite culture. The sheer number of female Latin poets will require women's historians to completely re-evaluate the idea that all women had "no access to education" before the nineteenth century.
€ 105,60 -
The 'Laterculus Malalianus' and the School of Archbishop Theodore
The Laterculus Malalianus, a historical exegesis of the life of Christ, appears to be the only complete text to survive from the hand of Archbishop Theodore at Canterbury. Its language, style and intellectual frame of reference are thus of great importance for establishing the nature and scope of teaching at Canterbury, the first school of Anglo-Saxon England. This edition, with translation and commentary, is the third volume in this series to offer a reassessment of Canterbury as a major seat of learning, together with Bernhard Bischoff's and Michael Lapidge's edition of the biblical commentaries from the Canterbury school and Michael Lapidge's edited collection of essays on the life and influence of Archbishop Theodore. In the introduction Jane Stevenson examines the intellectual milieu of this work, argues the case for attribution to Theodore, and suggests the need for a complete rethinking of the basis of Anglo-Saxon culture.
€ 49,70 -
Women Latin Poets
Women Latin Poets addresses women's relationship to culture between the first century B.C. and the eighteenth century A.D. by studying women's poetry in Latin. Based entirely on original archival research in twelve countries, Stevenson recovers an aspect of history often deemed not to exist: women who achieved public recognition in their own time, sometimes to a startling extent. Presenting, often for the first time, the work of more than three hundred women Latin poets, all translated and included in a comprehensive finding guide, Women Latin Poets substantially revises received opinion on women's participation in, and relation to, elite culture. The sheer number of female Latin poets will require women's historians to completely re-evaluate the idea that all women had "no access to education" before the nineteenth century.
€ 369,70 -
Early Modern Women Poets
Early Modern Women Poets represents a complete reexamination of the field, based on extensive archival research in manuscripts and early modern printed books. While it contains lavish selections from important poets such as Aphra Behn, Katherine Philips, and Aemilia Lanyer, almost half of thematerial included is previously unpublished and uncollected. It aims to introduce the reader to a conspectus of the verse written by women from c.1520 to 1700, at all social levels from the verse of court elite to working-class women's aphorisms, libels, and charms. All genres of verse used by earlymodern women are represented; as are all languages in which women's verse survives: Classical Greek and Latin, French, Italian, English, Scots, Scottish Gaelic, Welsh, and Irish. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to thecontext, intended audience, and genre of her work. The collection is organized chronologically. It should be possible, as never before, to see what early modern women wrote, how they wrote it, who they wrote for, and what they said.
€ 141,50 -
The 'Laterculus Malalianus' and the School of Archbishop Theodore
The 'Laterculus Malalianus', a historical exegesis of the life of Christ, appears to be the only complete text to survive from the hand of Archbishop Theodore at Canterbury. Its language, style and intellectual frame of reference are thus of great importance for establishing the nature and scope of teaching at Canterbury, the first school of Anglo-Saxon England. The principal lesson of the 'Laterculus' is that though the medium of the Canterbury education was Latin, the content was almost entirely Greek, drawing particularly on the methods of the school of Antioch. It presents a translation of and commentary on the 'Laterculus', and in the introduction Jane Stevenson examines the intellectual milieu of the work, argues the case for attribution to Theodore, and suggests the need for a complete rethinking of the basis of Anglo-Saxon culture.
€ 123,00