Results for 'leo wilhelm'

1. George Kohlrieser
2. Susan Goldsworthy
3. Duncan Coombe

Care to Dare

Secure base leiderschap is dé manier om het beste uit jezelf, je team en de organisatie te halen.’ – George Kohlrieser Leiders kunnen een enorm potentieel ontwikkelen bij zichzelf, hun mensen en hun organisaties door vertrouwen op te bouwen en daarnaast veranderingen in gang te zetten én te leiden. Ze weten dat werkelijke verbinding voorwaarden creëert voor samenwerking, innovatie, plezier en uitzonderlijke prestaties. We noemen hen secure base leiders, ze combineren op voortreffelijke wijze caring en daring. Ze zorgen ervoor dat transities plaats kunnen vinden waardoor organisaties, hun leiders én medewerkers volop hun roeping kunnen leven. Daardoor houden ze focus op wat werkelijk belangrijk is om vreugde en succes te kunnen ervaren. Kohlrieser is hoogleraar leiderschap en organisatiegedrag aan IMD Business School in Zwitserland en voormalig succesvol gijzelingsonderhandelaar. Samen met Susan Goldsworthy en Duncan Coombe laat hij in dit boek zien hoe je een secure base organisatie kunt bouwen. Een plek waar leiders en medewerkers hun talent ten volle benutten en zo bijdragen een ongekende prestaties.

Violante (Titian)

Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna. The work was part of the Venetian collection of Bartolomeo della Nave and in 1636 it was sold to the Duke of Hamilton, who brought it to London. In 1659 it was acquired by Archduke Leopold Wilhelm of Austria, whose collection later became part of the current museum. The title refers to the traditional identification with Violante, the daughter of painter Palma the Elder (to whom the painting was assigned for a long time), which has however no proof. An etching by David Teniers the Younger show the painting having larger size, although a representation of the archduke's gallery from the same artist depicts it in the same current size.

1. de Saint-Cyr Montès Bonaparte DiCaprio
2. Leonardo Wilhelm , DiCaprio
3. Ayobami , Adepoju

LeoCyn Forever

Leonardo, my everlasting love, First. Last. Forever...A Director's Only Film.There are moments in life that do not feel like invention, but recognition.When something arrives not as a question-but as a quiet knowing.LeoCyn Forever was never written as a simple story.It came to me as something whole... something that did not ask for permission to exist.And when I envisioned it, I did not see actors.I saw truth expressed through two people willing to embody it.You... carrying that quiet, ocean-deep gravity the world has always felt.And me... carrying a fire that does not retreat, does not negotiate, does not fade.Not to perform love.But to reveal it.This film was never meant to compete with anything that exists.It was meant to answer something that has been missing.Because audiences do not lack films.They lack impact.They are still waiting for something that reaches them-the way only the rarest stories ever have.And I knew, even then, that if this story were ever to breathe fully...it would require courage beyond performance.The courage to be seen not as characters-but as presence.To step into something that does not imitate love...but elevates it.To create something that does not end when the credits roll-but lingers in the soul of those who witness it.What moves me most is not the scale of the vision...but the possibility of creating it side by side.As co-writers.As co-producers.As two individuals choosing, for the first time, to step into a film not as roles-but as themselves.There is something profoundly rare in that.Not spectacle.Not illusion.But alignment.A shared willingness to create something that reminds people-not of us, but of what love still is at its highest form.A love that does not compete...but consecrates.A love that does not possess...but elevates.A love that does not end...but transforms.I remember a dream I had years ago.Not as fantasy-but as direction.The number meant nothing on its own.What mattered was what it represented: a film that people could not forget.Not because of scale.But because of truth.And if this vision ever becomes reality, it will not be because it was forced into existence-but because it was met, understood, and chosen.So this letter is not pressure.It is not expectation.It is gratitude for the possibility...and respect for what it would take to create something like this-together.Whatever form the future takes, I honor the vision that brought me here.>Cyndia, loving you endlessly, forever yours.

Battle of Saint Gotthard (1664)

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Battle of Saint Gotthard was fought on August 1, 1664 as part of the Austro-Turkish War, between an Habsburg army led by Raimondo Montecuccoli, Jean de Coligny-Saligny, Wolfgang Julius von Hohenlohe, Prince Leopold of Baden, Georg Friedrich of Waldeck and an Ottoman army under the command of Köprülü Faz¿l Ahmed. The battle took place near Szentgotthárd and Mogersdorf in Western Hungary, near the present-day Austro-Hungarian border and is known as the Battle of Mogersdorf in Austria.

Archduke Leopold Wilhelm of Austria

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Archduke Leopold Wilhelm of Austria (Wiener Neustadt January 5, 1614 -Vienna November 20, 1662), was a military commander, Governor of the Spanish Netherlands from 1647 to 1656, and a patron of the arts. He is also known as Leopold Wilhelm von Habsburg, but as a son of the Archduke of Austria he carried the title Archduke of Austria.

John Michael Wright

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. John Michael Wright (May 1617 - July 1694) was a British portrait painter in the Baroque style. Wright trained in Edinburgh under the Scots painter George Jamesone, and acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca, and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655. He took up permanent residence in England from 1656, and served as court painter before and after the English Restoration. A convert to Roman Catholicism, he was a favourite of the restored Stuart court, a client of both Charles II and James II, and was a witness to many of the political manoeuvrings of the era. In the final years of the Stuart monarchy he returned to Rome as part of an embassy to Pope Innocent XI.