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Results for 'moliere'
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Mines de charbon des Cévennes
€ 196,00 -
Rodin (Crater)
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Rodin is an impact crater on the planet Mercury, 229 kilometers in diameter. It is located at 21.1°N, 18.2°W, north of the craters Abu Nuwas and Moliere, and east of the crater Ts'ai Wen-chi. Inside Rodin are two craterlets, one to the east of the center and one to the north. The rim is even and circular, except where it is broken in two places toward the north and south. It is named for the French sculptor Auguste Rodin. Its name was approved by the International Astronomical Union in 1976.
€ 116,00 -
Il Molière di Cesare Garboli
Nel corso di un sortilegio quasi quarantennale, Cesare Garboli seppe e intuí di Molière cose che nessun critico prima di lui aveva osato sognare. Dall'inatteso colpo di fulmine per Tartuffe, negli anni Sessanta del Novecento, fino a pochi giorni prima di morire il legame che si instaurò tra Garboli e il grande capocomico seicentesco non venne mai meno, dando origine a decine di saggi e ad alcune delle versioni piú insolite e ispirate che sia dato di leggere e, soprattutto, di vedere sulla scena. Perché questo fu lo scopo - raggiunto - a cui Garboli dedicò il suo grande talento, anche schiettamente registico: salvare Molière dall'oblio in cui era caduto nei teatri italiani e rivelarne l'insospettata attualità. Perché Molière ci riguarda. Oggi piú che mai. Questo volume raccoglie tutte e dodici le versioni molieriane completate da Garboli - comprese le inedite I seccatori, George Dandin e Il medico per forza - oltre, in appendice, all'incompiuta traduzione di Monsieur de Pourceaugnac, alla quale lo studioso lavorò fino all'ultimo. Accompagnano i testi alcuni tra i piú acuti e avvincenti saggi di Garboli e li illustrano le fotografie di scena di Tommaso Le Pera, a riprova che il grande teatro ha incontrato di nuovo, e in modo stabile, la risata irrefrenabile ma poco tranquillizzante di Molière. In una sua nota di scena a Tartufo, Carlo Cecchi, che a saldo di un vecchio debito d'amicizia ha qui firmato la sua ultima curatela, scrisse: 'Spesso mi domandano perché ritorno cosí volentieri a Molière. Come Shakespeare, Molière ha scritto per gli attori, e io sono un attore che lavora con altri attori... Ma tutto rimarrebbe lettera morta se, nel tempo, non nascessero grandi attori e grandi traduttori. Per nostra fortuna, e mia in particolare, è successo che il genio di un grande critico affondasse le sue radici in una vocazione teatrale fortissima; che una lettura critica di straordinaria intelligenza e originalità fosse accompagnata dal talento mimetico di un grande attore: cosí abbiamo le traduzioni di Cesare Garboli'. La fortuna, possiamo aggiungere, è adesso di noi lettori. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten.
€ 169,99 -
Teatro da Cornucópia
Teatro da Cornucópia is one of the most prestigious theatre companies in Portugal. It was founded in 1973 by Jorge Silva Melo and Luís Miguel Cintra with the staging of the play The Misanthrope by Molière. The theatre is located at the Teatro do Bairro Alto, Rua Tenente Raul Cascais, Lisbon. It has presented works by: Sophocles, Plauto, Seneca, Lope de Vega, Calderón de la Barca, Shakespeare, Corneille, Marivaux, Beaumarchais, Hölderlin, Schiller, Strindberg, Ibsen, Chekhov, Gorki, Ostróvski, Pirandello, Brecht...
€ 180,00 -
Jodelet
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Julien Bedeau, dit Jodelet, est un comédien français, né le 14 octobre 1591 à Nantes et mort le 26 mars 1660 à Paris. Il finit sa carrière dans la troupe de Molière. En 1620 il faisait déjà partie de la troupe du Théâtre du Marais. Par ordre du roi, il passa en 1634 à l'Hôtel de Bourgogne. Mais en 1642, il retourna à son premier théâtre. Il était devenu alors une gloire des scènes parisiennes. Henry Lyonnet le décrit ainsi : ' Grand, maigre, laid, les yeux petits et vifs, les sourcils épais, la bouche grande, le nez long et concave, il n'avait qu'à se montrer pour exciter le rire. ' De plus sa voix était très nasillarde, ce qui rendait son jeu encore plus burlesque.
€ 156,00 -
Michael Colgan (Actor)
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Michael Colgan is a Keady, County Armagh, Northern Ireland-born actor. Born as Michael Hughes, he was educated at Saint Patrick's Grammar School, Armagh, and Corpus Christi College, Oxford, where he read English. After studying at l'École Internationale de Théâtre Jacques Lecoq in Paris, he now lives in London. A notable early performance in Saint Patrick's Grammar School, Armagh was the role of Harpagon in Molière's L'Avare, which was performed entirely in French. After theatre school in Paris he went back to Ireland to work with his younger brother, film director Enda Hughes, in 1996 in the feature film, The Eliminator.
€ 180,00 -
Utilia Lenkiewitz
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Utilia Lenkiewitz (née Utilia van Mander) (1711 - September 23, 1770) was a Danish actress, one of the very first of her profession from Denmark, and a member of the pioneer-troupe of the Royal Danish Theatre.Born the child of the painter Karel van Mander, she was a part of one of the two native theatre troupes created when public theatrical activity became legal in Denmark in 1746, following a ban. The organist Carl August Thielo was the first to be given a theatre privilege, and he opened a theatre at Store Kongensgade in 1747; the same year, Julius Henrik von Qvoten opened one which played in both Danish and German, and Lenkiewitz is believed to have been a part of the Qvoten-troupe. The actors from the troupes of these temporary theatres were then employed as staff when the Royal Danish Theatre was opened in 1748, with Thielo as director.
€ 136,00 -
The Misanthrope
€ 16,08 -
Molière's Leben und Werke
Vom Standpunkt der heutigen Forschung€ 96,95 -
Laughter
Molière Weapon the Powerful Cannot Confiscate Paris AD 1664 This book takes you to one of the most electrifying moments in that story. Paris, France. AD 1664.A playwright writes a comedy about a holy man who is not holy.The Archbishop of Paris threatens excommunication for anyone who watches it.The King laughs - then bans it anyway.For five years, the most dangerous play in France cannot be performed.The man who wrote it dies on stage, playing a hypochondriac, genuinely dying. The Church denied him a Christian burial. The King intervened. He was buried in the dark, without ceremony, in a piece of ground obtained by supplication. The arguments about what comedy can and cannot say have never stopped. Laughter asks what it would have meant to be inside that moment. Not as a king. Not as an Archbishop. But as the ordinary woman - the laundress who stood in the cheap section of the Palais-Royal and watched a banned play finally performed - and laughed before she had decided to.What does it cost an ordinary person to see clearly in a world organized around the performance of surfaces?What is the difference between a holy man and a man who has learned to speak holiness - when everyone around him cannot tell?Can a laugh do what an argument cannot? The facts are extraordinary enough.Tartuffe was written in 1664, banned within days of its first performance, rewritten twice, banned twice, and finally permitted in 1669 - five years later.The Archbishop threatened excommunication not just for watching the play, but for reading it, or speaking of it favorably.Molière wrote to the King: "To condemn a portrait of a hypocrite is not to defend holiness. It is to defend the hypocrite."The word tartuffe entered the French language as a common noun within Molière's lifetime. It is still in the dictionary. The streets of the Left Bank smelled of river cold and bread smoke and the waste of ten thousand households sharing a city that had not yet solved the problem of where to put what it produced. A woman woke before dawn and built her fire. She had never been to the theatre. A ticket arrived on her windowsill. They were asking the same questions we ask. They performed something that is still performing itself - in every room where power has learned to speak the language of virtue. This book is the attempt of one ordinary witness - a woman who understood things by seeing them clearly - to answer. For homeschooling families: You are already doing the most important thing - putting the story of humanity directly into your children's hands. The Beyond His Story We Stand series was written for you. Each book takes one moment in human history and makes it lived rather than memorised, felt rather than filed away. Not a textbook. Not a syllabus. A story your child will not want to put down - and that will leave them asking the questions that no curriculum can generate for them. The questions that only wonder produces. Laughter - part of the Beyond His Story We Stand series - a chronological journey through human history, told through the eyes of the people official history forgot to record. The laugh cannot be arrested. It had already happened before the ban was issued. It is still happening.
€ 13,72 -
Tartuffe, the Imposter
John Donnelly
€ 13,61 -
The Imaginary Invalid
LE MALADE IMAGINAIRE (Cram Edition)€ 21,95