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Results for 'osamu dazai'
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The Thorn in the Chrysanthemum
Suicide and Economic Success in Modern JapanMamoru Iga was Professor of Sociology at California State University, Northridge.
€ 110,95 -
No longer human - Der entfremdete Mensch
Der autobiografisch gefärbte Roman "Gezeichnet" von Osamu Dazai gehört in Japan zu den am häufigsten interpretierten Texten. Das Werk wird sowohl in seiner Erzählstruktur, in der Autor und fiktiver Protagonist gleichgestellt sind, als auch im Wirklichkeitsanspruch mit paralleler Abstraktion oft mit Goethes "Die Leiden des jungen Werther" verglichen. Geprägt von Angstzuständen, Süchten und Suizidversuchen taumelt das Alter Ego Dazais durch die ihm eigene Hölle. Junji Ito adaptiert den Leidensweg des Protagonisten mit subtilem Horror und bebildert die lebenslange Besessenheit eines von sich selbst und der Gesellschaft entfremdeten Menschen in wahnwitzigen Albträumen. Weitere Information: - Einzelband
€ 32,00 -
No Longer Human
Osamu Dazais No Longer Human ist ein Meisterwerk der japanischen Literatur und Kultbuch. Es wurde durch Verfilmungen und als Manga des berühmten Zeichners Junji Ito zum Millionenseller - und machte den Autor und seinen Protagonisten Yozo zum Idol. Yozo sehnt sich nach einem Gefühl der Zugehörigkeit und dem eigenen Platz in der Welt. Seit der Kindheit fühlt er sich außen vor, nur als Familienclown ist ihm Aufmerksamkeit sicher - und so wird er vom notorischen Possenreißer zum sarkastischen Intellektuellen. In einer feinsinnigen Mischung aus Ironie und Verletzlichkeit entblößt er seine Wünsche, Schwächen und Sehnsüchte. In je tiefere Verzweiflung er gerät, desto scharfsichtiger wird dabei sein Blick auf die menschliche Suche nach Bedeutung. Voller Witz und Sarkasmus durchleuchtet Osamu Dazai in No Longer Human die Fragilität der menschlichen Existenz und entfaltet erzählerisch die Wirkkraft eines widerständigen Denkens.
€ 13,00 -
The Thorn in the Chrysanthemum
Suicide and Economic Success in Modern JapanMamoru Iga was Professor of Sociology at California State University, Northridge.
€ 46,95 -
No Pain, No Gain
No Pain, No Gain is a collection of short stories united around their narrator's search for satisfaction through sexual submission. Inspired by the results of his search, No Pain, No Gain turns the usual male memoir of sexual conquests upside-down and inside-out.
€ 21,95 -
Suicides by drowning
Source: Wikipedia. Pages: 78. Chapters: Virginia Woolf, James Whale, Lao She, Vilhelm Moberg, Claude Chappe, Lawrence Kohlberg, Osamu Dazai, John Gould Fletcher, Montague Druitt, Paul Celan, Hart Crane, Spalding Gray, Donald Crowhurst, William Morris Hunt, John Davidson, The Awakening, Ingrid Jonker, Charles White Whittlesey, Dean Reed, Kari Blackburn, Qu Yuan, St. John Emile Clavering Hankin, L'Inconnue de la Seine, Ivan Hribar, Charles Stuart, Gherasim Luca, Jeremy Blake, Carlo Pedrotti, Nabíl-i-A`zam, Somesvara I, Nathaniel Lucas, Alfonsina Storni, Claude Jutra, Kenny Blatchford, Lise Lindbæk, Edoardo Agnelli, Stephen Duck, Ward Beysen, Preston King, Thomas Henshaw, John Bowers, Tore Hedin, Thomas Heggen, Jiro Sato, Wang Guowei, Yun Sim-deok, John Augustus Stone, James Craig, Jean-Baptiste Krumpholz, Vlado Taneski, Vincent Luke Palmisano, Horace Hart, Adolphe d'Archiac, Jessie Belle Hardy Stubbs MacKaye, Gottlieb Ott, Misao Fujimura, Merton Hodge, Hippo, Chen Yi-hsiung, Andrew Jackson Bryant, Emanuel Mohn, János Majláth, Eustace Budgell, Lore Berger, Lee Ho-seong, David Parish, Ernst Rolf, Zhang Rang, Vjekoslav Karas, Lucia Rosa. Excerpt: James Whale (22 July 1889 - 29 May 1957) was an English film director, theatre director and actor. He is best remembered for his work in the horror film genre, having directed such classics as Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale directed over a dozen films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity. Born into a large family in Dudley, England, Whale early discovered his artistic talent and studied art. With the outbreak of World War I, Whale enlisted in the British Army and became an officer. He was captured by the Germans and during his time as a prisoner of war he realized he was interested in drama. Following his release at the end of the war he became an actor, set designer and director. His success directing the 1928 play Journey's End led to his move to the United States, first to direct the play on Broadway and then to Hollywood to direct motion pictures. Whale lived in Hollywood for the rest of his life, most of that time with his longtime companion, producer David Lewis. Including Journey's End (1930), Whale directed a dozen films for Universal Studios between 1930 and 1936 (his uncredited work on the war epic Hell's Angels having been done for United Artists), developing a style characterized by the influence of German Expressionism and a highly mobile camera. At the height of his popularity as a director, Whale directed The Road Back, a sequel to All Quiet on the Western Front, in 1937. Studio interference, possibly spurred by political pressure from Nazi Germany, led to the film's being altered from Whale's vision and The Road Back was a critical and commercial failure. A string of commercial failures followed and, while Whale would make one final short film in 1950, by 1941 his film dire
€ 21,64