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‘Propulsive’ SUNDAY TIMES
‘Razor-sharp’ TIME
‘Blistering’ SCOTSMAN
‘I guarantee it will stay with you’ AFUA HIRSCH
‘Strikingly topical’ GUARDIAN
‘Scathing, spiky, and full of laugh-out-loud moments’ GLAMOUR
‘A rollicking good read’ WOMAN’S WEEKLY
‘Sharp and funny’ PRIMA
‘Wickedly funny’ EVENING STANDARD
‘A firecracker of a book’ i PAPER
‘A riot’ PANDORA SYKES
‘Darkly hilarious’ MARIE CLAIRE
‘Uncomfortable and addictive… a must-read’ INDEPENDENT
‘Tackles cancel culture and cultural appropriation with razor-sharp wit’ LOUISE O’NEILL
‘A clever, pacy tale’ SARA PASCOE
'Tense, modern… a brilliant exploration of the literary world' AISLING BEA
‘Darkly comic’ GQ
‘A wild ride’ STYLIST
‘A wicked little satire of publishing, racial politics and icky internet culture’ THE TIMES , Best Summer Reads
‘Utterly diverting’ FINANCIAL TIMES
‘Unforgettable’ WOMAN & HOME
'Bright and witty and sly… fabulous' RUSSELL T DAVIES
‘A spiky, snarky, shady, smart, sinister take on white privilege’ NIKKI MAY
‘Incisive and compelling… sweeps the reader up on a thrilling ride, but leaves us thinking about the questions raised for days’ JENNIFER SAINT
‘This acute, fast-paced thriller will have literary insiders nodding in recognition and outsiders gasping in shock’ THE BOOKSELLER
‘Not since Martin Amis’s The Information has the venality, self-regard and absurdity of the writing life been so gloriously skewered’ THE CRITIC
‘Once you start, you won’t be able to put it down’ HEAT
‘Well-observed and alarmingly convincing’ DAILY MAIL
'Remarkable and incendiary' WIZ WHARTON
'A dark, engrossing page-turner’ GOOD HOUSEKEEPING
‘Propulsive’ SUNDAY TIMES
‘Razor-sharp’ TIME
‘Blistering’ SCOTSMAN
‘I guarantee it will stay with you’ AFUA HIRSCH
‘Strikingly topical’ GUARDIAN
‘Scathing, spiky, and full of laugh-out-loud moments’ GLAMOUR
‘A rollicking good read’ WOMAN’S WEEKLY
‘Sharp and funny’ PRIMA
‘Wickedly funny’ EVENING STANDARD
‘A firecracker of a book’ i PAPER
‘A riot’ PANDORA SYKES
‘Darkly hilarious’ MARIE CLAIRE
‘Uncomfortable and addictive… a must-read’ INDEPENDENT
‘Tackles cancel culture and cultural appropriation with razor-sharp wit’ LOUISE O’NEILL
‘A clever, pacy tale’ SARA PASCOE
'Tense, modern… a brilliant exploration of the literary world' AISLING BEA
‘Darkly comic’ GQ
‘A wild ride’ STYLIST
‘A wicked little satire of publishing, racial politics and icky internet culture’ THE TIMES , Best Summer Reads
‘Utterly diverting’ FINANCIAL TIMES
‘Unforgettable’ WOMAN & HOME
'Bright and witty and sly… fabulous' RUSSELL T DAVIES
‘A spiky, snarky, shady, smart, sinister take on white privilege’ NIKKI MAY
‘Incisive and compelling… sweeps the reader up on a thrilling ride, but leaves us thinking about the questions raised for days’ JENNIFER SAINT
‘This acute, fast-paced thriller will have literary insiders nodding in recognition and outsiders gasping in shock’ THE BOOKSELLER
‘Not since Martin Amis’s The Information has the venality, self-regard and absurdity of the writing life been so gloriously skewered’ THE CRITIC
‘Once you start, you won’t be able to put it down’ HEAT
‘Well-observed and alarmingly convincing’ DAILY MAIL
'Remarkable and incendiary' WIZ WHARTON
'A dark, engrossing page-turner’ GOOD HOUSEKEEPING
Rebecca F. Kuang is the #1 New York Times and #1 Sunday Times bestselling author of Yellowface , Babel: An Arcane History and the Poppy War trilogy. Her work has won the Nebula, Locus, Crawford, and British Book Awards. A Marshall Scholar, she has an MPhil in Chinese Studies from Cambridge and an MSc in Contemporary Chinese Studies from Oxford. She is now pursuing a PhD in East Asian Languages and Literatures at Yale, where she studies diaspora, contemporary Sinophone literature, and Asian American literature. Her next novel is Katabasis .