1964

"1964: Eyes of the Storm...deserves to be received with the same gravity you'd pay any primary source for any great historical event... The adulation and protection and scrutiny coming from the subjects of these photos are being seen by the person who is the object of it... No matter how friendly he found the faces looking at him, this is the work of an idol in the making determined to stay a subject instead of becoming an object.... There’s an effortless familiarity to the shots of the boys reading the newspaper in their Plaza suite or looking up in the midst of a conversation halfway across the Atlantic, no guardedness when their eyes meet their mate’s camera.... For all of the generosity with which McCartney talks about America, for all the awe the group felt at being here and being accepted here, the photos show all the ways in which the Beatles, even before they arrived, had already outpaced the country.... [A] wonderful book, with its photos of a superpower as a sleepy giant, a country where most of the people couldn't see the future beyond a continuation of the sameness in which they already lived."

"1964: Eyes of the Storm...deserves to be received with the same gravity you'd pay any primary source for any great historical event... The adulation and protection and scrutiny coming from the subjects of these photos are being seen by the person who is the object of it... No matter how friendly he found the faces looking at him, this is the work of an idol in the making determined to stay a subject instead of becoming an object.... There’s an effortless familiarity to the shots of the boys reading the newspaper in their Plaza suite or looking up in the midst of a conversation halfway across the Atlantic, no guardedness when their eyes meet their mate’s camera.... For all of the generosity with which McCartney talks about America, for all the awe the group felt at being here and being accepted here, the photos show all the ways in which the Beatles, even before they arrived, had already outpaced the country.... [A] wonderful book, with its photos of a superpower as a sleepy giant, a country where most of the people couldn't see the future beyond a continuation of the sameness in which they already lived."

"Who wouldn't want a peek at Paul McCartney's personal pics of The Beatles?...There are pictures of aching intimacy... And, inevitably, photos that will make you feel a pang for the band's fishbowl existence."

"Beguiling...Thoughtful recollections... There is something for every Beatles aficionado in the 275 glorious images in these images...Open this book, and for a few magic moments, you'll be right there, too."

Born in Liverpool in 1942, Paul McCartney was raised in the city and educated at the Liverpool Institute. Since writing his first song at fourteen, McCartney has dreamed and dared to be different. He lives in England. Jill Lepore is the David Woods Kemper ’41 Professor of American History at Harvard University, professor of law at Harvard Law School, and a staff writer at The New Yorker. Her many books include the New York Times bestsellers These Truths and We the People. She lives in Cambridge, Massachusetts.