The Lasting Harm

'Powerful, vivid and affecting. A thoughtful, responsible, compassionate account of the consequences of crime' David Nicholls, author of One Day

'Urgent, necessary and courageous' Elizabeth Day, author of How To Fail

'Brilliantly unsettling. Excels in its empathy, insight and ability to gently expose the reader to themselves' Guardian

'A blazing book that puts the criminal justice system under the microscope' Independent

'The definitive voice on the Epstein horror' Owen Jones

'Painful and candid' Observer

'This book will make you think about trauma in a new light' Evening Standard

‘Osborne-Crowley writes from the unique position of legal expertise and lived experience. This makes her a compassionate authority. She is helping the world to understand the legacy of the trauma’ Vicky Spratt, author of Tenants

‘A tenacious and empathetic chronicler of the world who provides a voice for those who have been silenced' Rebecca Watson, author of Little Scratch

'We don't need another book about rich men. The book we need is this one: centering the stories of vulnerable teenage girls and how they were used up and thrown away by those rich men' Jolyon Maugham, Director of the Good Law Project

'Osborne-Crowley’s vital work is driven by integrity, a desire to bear witness, a dedication to the experiences and truths of those who so often go unheard and unheeded' Kieran Goddard, author of I See Buildings Fall Like Lightning

' Osborne-Crowley has a deep commitment to telling survivor stories. She is a courageous silence-breaker: she broke the silence by sharing her own story and now devotes her skills to help others tell theirs. We need more journalists like her' Jennifer Robinson, award-winning barrister

'Powerful, vivid and affecting. A thoughtful, responsible, compassionate account of the consequences of crime' David Nicholls, author of One Day

'Urgent, necessary and courageous' Elizabeth Day, author of How To Fail

'Brilliantly unsettling. Excels in its empathy, insight and ability to gently expose the reader to themselves' Guardian

'A blazing book that puts the criminal justice system under the microscope' Independent

'The definitive voice on the Epstein horror' Owen Jones

'Painful and candid' Observer

'This book will make you think about trauma in a new light' Evening Standard

‘Osborne-Crowley writes from the unique position of legal expertise and lived experience. This makes her a compassionate authority. She is helping the world to understand the legacy of the trauma’ Vicky Spratt, author of Tenants

‘A tenacious and empathetic chronicler of the world who provides a voice for those who have been silenced' Rebecca Watson, author of Little Scratch

'We don't need another book about rich men. The book we need is this one: centering the stories of vulnerable teenage girls and how they were used up and thrown away by those rich men' Jolyon Maugham, Director of the Good Law Project

'Osborne-Crowley’s vital work is driven by integrity, a desire to bear witness, a dedication to the experiences and truths of those who so often go unheard and unheeded' Kieran Goddard, author of I See Buildings Fall Like Lightning

' Osborne-Crowley has a deep commitment to telling survivor stories. She is a courageous silence-breaker: she broke the silence by sharing her own story and now devotes her skills to help others tell theirs. We need more journalists like her' Jennifer Robinson, award-winning barrister

Lucia Osborne-Crowley is a trained lawyer, legal reporter and journalist and the author of two books, I Choose Elena (2019) and My Body Keeps Your Secrets (2021), winner of a Somerset Maugham Award. Her forensic but accessible reporting of the Maxwell trial was described as some of the best and most trauma-informed coverage of the case, and it saw her social media following grow by over 35,000 followers. She has appeared as an expert journalist on the Maxwell and Prince Andrew cases on BBC News, Sky News, LBC News and BBC Radio among others. Her analysis appeared in print in The Independent and ABC news. Elsewhere, her news reporting has appeared in the Guardian , The Sunday Times and GQ Magazine and her literary writing has been published in Granta and Meanjin .