Yuri Herrera
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‘Language itself seems to be invested with a strange demiurgic force. Herrera’s style – both precise and elusive, specific and elliptical – is uncannily well suited to depict the in-between state his characters inhabit.’ Tony Wood, LRB ---- 'Herrera shuns proper names of people and places: Mexico City is the “Big Chilango,” characters bear names such as the Artist, the Witch, and Mr. Q. His ghostly landscapes are reminiscent of Rulfo’s in the iconic novel Pedro Páramo, but his characters are even more ethereal. Many are up to no good, delivering packages whose contents we can only guess at, trying to avoid falling into vast sinkholes and the jails of La Migra. The bad guys speak as if in a Peckinpah film. [...] The [three novels are] even more powerful read together. A welcome gathering of centrifugal works by one of Mexico’s most accomplished contemporary writers.' Kirkus Reviews, starred review
Yuri Herrera’s first novel to appear in English, Signs Preceding the End of the World, won the Best Translated Book Award and was chosen by The Guardian as one of ‘The 100 Best Books of the 21st Century’. His second novel The Transmigration of Bodies was shortlisted for the Dublin Literary Award and his sci-fi inflected collection of stories Ten Planets was a finalist for the Ursula K. Le Guin Prize. He teaches at Tulane University, New Orleans. Lisa Dillman teaches in the Department of Spanish and Portuguese at Emory University in Atlanta, Georgia. She has translated a number of Spanish and Latin American writers. Her recent translations include The Bitch and Abyss by Pilar Quintana.
Three Novels
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Here in one beautiful collector’s edition are Herrera’s 3 era-defining novels: Signs Preceding the End of the World, The Transmigration of Bodies, and Kingdom Cons
‘Language itself seems to be invested with a strange demiurgic force. Herrera’s style – both precise and elusive, specific and elliptical – is uncannily well suited to depict the in-between state his characters inhabit.’ Tony Wood, LRB ---- 'Herrera shuns proper names of people and places: Mexico City is the “Big Chilango,” characters bear names such as the Artist, the Witch, and Mr. Q. His ghostly landscapes are reminiscent of Rulfo’s in the iconic novel Pedro Páramo, but his characters are even more ethereal. Many are up to no good, delivering packages whose contents we can only guess at, trying to avoid falling into vast sinkholes and the jails of La Migra. The bad guys speak as if in a Peckinpah film. [...] The [three novels are] even more powerful read together. A welcome gathering of centrifugal works by one of Mexico’s most accomplished contemporary writers.' Kirkus Reviews, starred review
Yuri Herrera’s first novel to appear in English, Signs Preceding the End of the World, won the Best Translated Book Award and was chosen by The Guardian as one of ‘The 100 Best Books of the 21st Century’. His second novel The Transmigration of Bodies was shortlisted for the Dublin Literary Award and his sci-fi inflected collection of stories Ten Planets was a finalist for the Ursula K. Le Guin Prize. He teaches at Tulane University, New Orleans. Lisa Dillman teaches in the Department of Spanish and Portuguese at Emory University in Atlanta, Georgia. She has translated a number of Spanish and Latin American writers. Her recent translations include The Bitch and Abyss by Pilar Quintana.
Specificaties
Uitgever
And Other Stories
Vertaler
Lisa Dillman
Verschenen
14 september 2021
Pagina's
288
Thema
Etnische studies
Gewicht
404 gr
EAN
9781913505240
Bindwijze
Hardback / gebonden
Taal
Engels