Women and Contemporary World Literature
Power, Fragmentation, and Metaphor
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Beschrijving
«Deborah Weagel has written an excellent theoretical study of postcolonial women and women characters starting from perhaps the earliest woman to express postcolonial sentiments, Sor Juana Inés de la Cruz. Sor Juana is a forerunner of the ideas of chronologically postcolonial names such as Camara Laye’s mother, Dâman Sadan, and the women characters in the work of Mariama Bâ, Salman Rushdie, Bharati Mukherjee, and Rohinton Mistry. With swift and sure theoretical command, Weagel studies the negotiations of power between and among binaries. Her book will make a serious and significant contribution to the study of postcolonial and comparative literatures and also to women’s studies. I recommend the work to scholars and students alike.» (Feroza Jussawalla, Author of ‘Family Quarrels: Towards a Criticism of Indian Writing in English’ and Editor of ‘Interviews with Writers of the Postcolonial World’)
«Deborah Weagel has written an excellent theoretical study of postcolonial women and women characters starting from perhaps the earliest woman to express postcolonial sentiments, Sor Juana Inés de la Cruz. Sor Juana is a forerunner of the ideas of chronologically postcolonial names such as Camara Laye’s mother, Dâman Sadan, and the women characters in the work of Mariama Bâ, Salman Rushdie, Bharati Mukherjee, and Rohinton Mistry. With swift and sure theoretical command, Weagel studies the negotiations of power between and among binaries. Her book will make a serious and significant contribution to the study of postcolonial and comparative literatures and also to women’s studies. I recommend the work to scholars and students alike.» (Feroza Jussawalla, Author of ‘Family Quarrels: Towards a Criticism of Indian Writing in English’ and Editor of ‘Interviews with Writers of the Postcolonial World’)
The Author: Deborah Weagel teaches part-time at the University of New Mexico in Albuquerque. She holds a bachelor’s degree in art, master’s degrees in music and French, and a Ph.D. in English. Drawing upon her interdisciplinary background, she has published articles in a variety of academic journals. She is co-editor of a special topic issue of the
South Asian Review
entitled «Perspectives on South Asian Women’s Writing» and is the author of
Interconnections: Essays on Music, Art, Literature, and Gender
.