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Results for 'constantin stanislavski'
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Creating A Role
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 21,95 -
Building a Character
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 21,95 -
An Actor Prepares
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 23,50 -
Michael Tchekhov
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Michael Tchekhov est un acteur, metteur en scène et auteur russo-américain. Neveu d'Anton Tchekhov et disciple de Constantin Stanislavski, il est acteur au Théâtre d'Art de Moscou avant de fonder en 1914 le Premier Studio du Théâtre d'Art de Moscou, qui deviendra plus tard, lorsqu'il en sera nommé directeur, le Deuxième Théâtre d'Art de Moscou. Il épouse sa cousine par alliance, la jeune actrice Olga von Knipper qui deviendra la célèbre actrice de l'Allemagne des années 1930-1940, Olga Tchekhova (1897-1980). Ils ont une fille Ada Tschechowa (1916-1966), future actrice allemande.
€ 136,00 -
Nikolaï Batalov
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Nikolai Petrovitch Batalov est un comédien russe puis soviétique né le 6 décembre 1899 à Moscou et mort le 10 novembre 1937 à Moscou Il grandit dans une famille de la classe moyenne de Moscou. Il s'intéresse très jeune au théâtre en compagnie de sa grand-mère qui l'encourage par ailleurs dans son appétit vorace pour la lecture. En 1916, il s'inscrit aux cours de théâtre donnés à Moscou par Constantin Stanislavski et Vladimir Nemirovich-Danchenko. Il enchaîne ensuite les rôles de théâtre dont un des plus marquants au Théâtre d'art de Moscou est le rôle de Figaro alors que sa femme Olga Androvskaïa joue le rôle de Suzanne.
€ 136,00 -
Olga Knipper
Ce contenu est une compilation d'articles de l'encyclopédie libre Wikipedia. Olga Leonardovna Knipper née le 21 septembre 1868 à Glazov - décédée le 22 mars 1959 à Moscou. Elle était une comédienne russe, mariée à Anton Tchekhov. Elle était Artiste du peuple de l'URSS. Olga Knipper faisait partie des 39 membres fondateurs du Théâtre d'art de Moscou quand il fut créé par Constantin Stanislavski en 1898. Elle incarna Arkadina dans La Mouette, et fut la première à jouer Macha dans Les Trois Sœurs et Lioubiov Andreïevna dans La Cerisaie. Olga Knipper était mariée à Anton Tchekhov, l'auteur de ces pièces, en 1901. Knipper-Tchekhova rejoua Lioubiov Andreïevna en 1943, quand le théâtre fêta la trois centième représentation de La Cerisaie. La comédienne allemande Olga Tchekhova était sa nièce1 et le compositeur soviétique Lev Knipper son neveu.
€ 116,00 -
Maria Ouspenskaya
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Maria Alekseyevna Ouspenskaya (Russian: ¿¿¿¿¿ ¿¿e¿cee¿¿a ¿¿¿¿¿¿¿¿¿; July 29, 1876, - December 3, 1949) was a Russian actress and acting teacher. She achieved success as a stage actress as a young woman in Russia, and as an elderly woman in Hollywood films. Ouspenskaya was born in Tula, Russia, and studied singing in Warsaw and acting in Moscow. She was a founding member of the First Studio, a theatre studio of the world-famous Moscow Art Theatre. There she was trained by Konstantin Stanislavski and his assistant Leopold Sulerzhitsky in the 'system'.
€ 180,00 -
Théâtre d'Art de Moscou
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Le théâtre d'art de Moscou surnommé MkhAT, est une compagnie de théâtre moscovite, fondée en 1897 par Constantin Stanislavski et Vladimir Nemirovitch-Dantchenko, et située à l'angle de la rue Tverskaïa, à quelques centaines de mètres seulement de la place Rouge. Son titre initial devait être Théâtre d'art accessible à tous. Il entendait défendre un théâtre naturaliste, loin des excès mélodramatiques de la scène russe et européenne de l'époque. Il rencontra le succès dès 1898 en reprenant La Mouette de Tchekhov et en lui assurant un triomphe immédiat, alors qu'elle avait connu un four retentissant lors de sa création à Saint-Pétersbourg en 1896. Dès lors, Tchekhov devint l'auteur fétiche du Théâtre d'art, qui créa ses trois autres grandes pièces suivantes : Oncle Vania, Les Trois Sœurs et La Cerisaie interprétées par sa future épouse Olga Knipper. Cette collaboration avec Tchékhov ne se passa pas toujours sans heurts.
€ 116,00 -
Le Dibbouk
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Le Dibbouk ou Entre deux mondes est un drame en trois actes rédigé en yiddish par Shalom Anski, de son vrai Shloïme-Zaïnv Rappoport, et créé à Vilna en 1917. Il s'inspire du thème folklorique du dibbouk qui est, dans la tradition juive kabbaliste, un esprit qui entre dans le corps d'un vivant pour le posséder, à la suite d'une erreur ou d'une mauvaise action. Shalom Anski, ethnographe russe, rédigea cette pièce d'abord en langue russe. Puis, lorsqu'il la montra au metteur en scène moscovite Constantin Stanislavski, celui-ci lui conseilla de la réécrire en yiddish, afin qu'elle puisse être jouée d'une manière authentique par des acteurs juifs.
€ 116,00 -
Boris Aronson
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Boris Aronson (October 15, 1898 - November 16, 1980) was an American scenic designer for Broadway and Yiddish theatre. He won the Tony Award for Scenic Design six times in his career. The son of a Rabbi, Aronson was born in Kiev, in the Russian Empire now Ukraine, and enrolled in art school during his youth. Boris became an apprentice to the designer Aleksandra Ekster, who introduced him to the directors Vsevolod Meyerhold and Alexander Tairov, who influenced him. These three theatre and art veterans were advocates of the Constructivist school in Russia, as opposed to Stanislavski's form of Realism, and they convinced Aronson to embrace the Constructivist style.
€ 180,00 -
Tartuffe
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Tartuffe (full title: Tartuffe, or the Impostor, French: Tartuffe, ou l'Imposteur) is a comedy by Molière. It is one of his most famous plays. Molière wrote Tartuffe in 1664. Following its first performance the same year at the fêtes held at Versailles, King Louis XIV almost immediately censored the play, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. As a result of Molière's play, the word "tartuffe" is used in contemporary French and English to designate a hypocrite who ostensibly and exaggeratedly feigns virtue, especially religious virtue. The entire play is written in 1,962 twelve-syllable lines (alexandrines) of rhyming couplets. Orgon's family is up in arms because Orgon and his mother have fallen under the influence of Tartuffe, a pious fraud (and a vagrant prior to Orgon's help). Tartuffe pretends to be pious and to speak with divine authority, and Orgon and his mother no longer take any action without first consulting him.
€ 156,00 -
MAT Production of The Seagull
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Moscow Art Theatre's (MAT) production of "The Seagull" in 1898, directed by Constantin Stanislavski and Vladimir Nemirovich-Danchenko, was a crucial milestone for the fledgling theatre company that has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama." It was the first production in Moscow of Anton Chekhov's "The Seagull", though the play had been performed unsuccessfully in St. Petersburg two years earlier. Nemirovich, who was a friend of Chekhov's, overcame the writer's refusal to allow the play to appear in Moscow after its earlier failure and convinced Stanislavski to direct the play for their innovative and newly-founded Moscow Art Theatre. The production opened on 29 December [O.S. 17 December] 1898. The MAT's success was due to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertainty with the psychological disposition of the Russian intelligentsia of the time.
€ 136,00