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  1. Tartuffe

    Tartuffe

    Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Tartuffe (full title: Tartuffe, or the Impostor, French: Tartuffe, ou l'Imposteur) is a comedy by Molière. It is one of his most famous plays. Molière wrote Tartuffe in 1664. Following its first performance the same year at the fêtes held at Versailles, King Louis XIV almost immediately censored the play, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. As a result of Molière's play, the word "tartuffe" is used in contemporary French and English to designate a hypocrite who ostensibly and exaggeratedly feigns virtue, especially religious virtue. The entire play is written in 1,962 twelve-syllable lines (alexandrines) of rhyming couplets. Orgon's family is up in arms because Orgon and his mother have fallen under the influence of Tartuffe, a pious fraud (and a vagrant prior to Orgon's help). Tartuffe pretends to be pious and to speak with divine authority, and Orgon and his mother no longer take any action without first consulting him.

    € 156,00
  2. Anton Chekhov

    Anton Chekhov

    Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.Anton Pavlovich Chekhov (29 January [O.S. 17 January] 1860 - 15 July [O.S. 2 July] 1904) was a Russian short-story writer, playwright and physician, considered to be one of the greatest short-story writers in the history of world literature. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story.

    € 180,00
  3. Uncle Vanya

    Uncle Vanya

    Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Uncle Vanya is a play by the Russian playwright Anton Chekhov. It was first published in 1897 and received its Moscow première in 1899 in a production by the Moscow Art Theatre, under the direction of Konstantin Stanislavski. Uncle Vanya is unique among Chekhov's major plays because it is essentially an extensive reworking of his own play published a decade earlier, The Wood Demon. By elucidating the specific changes Chekhov made during the revision process -- these include reducing the cast-list from almost two-dozen down to a lean nine, changing the climactic suicide of the The Wood Demon into the famous failed homicide of Uncle Vanya, and altering the original happy ending into a more problematic, less final resolution -- critics such as Donald Rayfield, Richard Gilman, and Eric Bentley have sought to chart the development of Chekhov's dramaturgical method through the 1890s. Rayfield cites recent scholarship suggesting Chekhov revisited The Wood Demon during his trip to the island of Sakhalin, a prison colony in Eastern Russia, in 1891.

    € 156,00