Results for 'michael moorcock'

1. Elias Lonnrot

Kalevala

Kalevala is the poetic name for Finland: ‘the land of heroes’. Ambition, lust, romance, birth and death can all be found within its pages, as well as the sampo, a mysterious talisman that brings great happiness to its possessor and over which great battles will be fought.WITH AN INTRODUCTION BY HORATIO CLARE

Gifts Returned by the River

1. Rick , Mcgrath
2. Adrian , Cole
3. Jeff , Noon

Reports from the Deep End

A fascinating and unsettling anthology of 32 science fiction short stories in tribute to the prophetic dystopias of New Wave sci-fi pioneer, and literary titan of the twentieth century, J. G. Ballard--featuring Will Self, Iain Sinclair, Christopher Fowler, Chris Beckett, and a new Jerry Cornelius story from Michael Moorcock. Few authors are so iconic that their name is an adjective - Ballard is one of them. Master of both literary and science fiction, his novels such as Empire of the Sun, Crash and Cocaine Nights show a world out of joint - a bewildering, alienating and yet enthralling place. From his rapturously weird takes on contemporary reality to his classic dystopias like The Drowned World and High Rise, Ballard's legacy shaped the future of literature. This first-of-its-kind anthology, featuring our greatest literary and science fiction authors, pays tribute to the unique visions of humanity's uncanny and uneasy clash with the future - our empires of concrete - seen through the warped lens of J. G. Ballard. Edited by renowned editors Maxim Jakubowski and Rick McGrath, this collection includes stories by: Will SelfIain SinclairChristopher FowlerChris BeckettMichael MoorcockJeff NoonPreston GrassmannToby LittChristine PoulsonDavid GordonHanna JamesonJames LovegroveRamsey CampbellBarry N. MalzbergPaul Di FilippoSamathan Lee HoweNick MamatasAdrian McKintyRhys HughesAdrian ColePat CadiganAdam RobertsGeorge SandisonGeoff NicholsonA.K. BenedictAndrew HookDavid QuantickLavie TidharJames Grady

1. Paul Kincaid

Brian W. Aldiss

"As Kincaid’s elegant overview makes clear, Aldiss’s work is not only a paean to ceaseless creativity, but a testament to an almost compulsive preoccupation with generating new problems towards whose solution that same sparkling creativity may be directed." --Locus "A level-headed assessment. " --Times Literary Supplement   "Brian Aldiss was science fiction’s most gifted stylist: innovative, elegant, mercurial and always highly readable. He was tirelessly prolific, producing not only stories of adventure in space, travelers through time and several noxious alien beings, but also experimental literary fiction and thoughtful memoir. Paul Kincaid’s superb and closely attentive account of his life and work covers the full Aldiss range, responding sympathetically not only to the extraordinary variety but also the level of ambition." --Christopher Priest, four-time winner of the BSFA Award "Paul Kincaid's cogent, career-spanning study of Brian Aldiss's life and work is a valuable contribution to SF studies. He expertly covers the many books in Aldiss's canon, shedding new light on areas that have received little scholarly attention while enumerating the author’s importance to the SF megatext. Accessible and illuminating, Brian W. Aldiss should be read by anybody writing about Aldiss, but it's also an enjoyable biography."--D. Harlan Wilson, author of J. G. Ballard "Kincaid affirms Aldiss as a crucial figure in postwar British sf, author of a handful of indisputable classics, and deeply involved in the aesthetic and critical evolution of the field." --Science Fiction Studies

1. Paul Kincaid

Brian W. Aldiss

"As Kincaid’s elegant overview makes clear, Aldiss’s work is not only a paean to ceaseless creativity, but a testament to an almost compulsive preoccupation with generating new problems towards whose solution that same sparkling creativity may be directed." --Locus "A level-headed assessment. " --Times Literary Supplement   "Brian Aldiss was science fiction’s most gifted stylist: innovative, elegant, mercurial and always highly readable. He was tirelessly prolific, producing not only stories of adventure in space, travelers through time and several noxious alien beings, but also experimental literary fiction and thoughtful memoir. Paul Kincaid’s superb and closely attentive account of his life and work covers the full Aldiss range, responding sympathetically not only to the extraordinary variety but also the level of ambition." --Christopher Priest, four-time winner of the BSFA Award "Paul Kincaid's cogent, career-spanning study of Brian Aldiss's life and work is a valuable contribution to SF studies. He expertly covers the many books in Aldiss's canon, shedding new light on areas that have received little scholarly attention while enumerating the author’s importance to the SF megatext. Accessible and illuminating, Brian W. Aldiss should be read by anybody writing about Aldiss, but it's also an enjoyable biography."--D. Harlan Wilson, author of J. G. Ballard "Kincaid affirms Aldiss as a crucial figure in postwar British sf, author of a handful of indisputable classics, and deeply involved in the aesthetic and critical evolution of the field." --Science Fiction Studies

1. Colin , Greenland

Entropy Exhibition (Routledge Revivals)

When first published in 1983 The Entropy Exhibition was the first critical assessment of the literary movement known as 'New Wave' science fiction. It examines the history of the New Worlds magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses developments in stylistic theory and practice. Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the writing lay in its fascination with the concept of 'entropy' - the universal and irreversible decline of energy into disorder. Entropy provides the key to both the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its connection with other cultural experiments of the 1960s. The Fiction of the New Worlds writers was not concerned with far future and outer space, but with the ambiguous and unstable conditions of the modern world. Detailed attention is given to each of the three main contributors to the New Worlds magazine - Michael Moorcock, Brian Aldiss and J.G. Ballard. Moorcock himself is more commonly judged by his commercial fantasy novels than by the magazine he supported with them, but here at last the balance is redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.