Annihilating Noise
Paul Hegarty
Annihilating Noise
Paul Hegarty
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Engels
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Omschrijving
Annihilating Noise is an excellent contribution to sound studies, and should be required reading for anyone interested in the intersection of noise and broader social processes.
Annihilating Noise is an excellent contribution to sound studies, and should be required reading for anyone interested in the intersection of noise and broader social processes.
Annihilating Noise disrupts the ways we have previously thought about noise and its relation to music, silence and culture more generally. Hegarty combines his previous theories of sonic disturbance with an astonishing array of theoretical approaches, turning the idea of noise every which way in order to re-energise discussions of gender, race and the technological economies. Japanese noise, Hip-Hop, sonic ecology, improvisation, video art and a whole lot more are used to rethink what it means to listen—and through which devices—to sonic disturbance. Poetic, eclectic and bold, this is a theoretical tour de force that will make you hear differently, a skill that has never been so urgently required.
Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime.
Annihilating Noise is an excellent contribution to sound studies, and should be required reading for anyone interested in the intersection of noise and broader social processes.
Annihilating Noise disrupts the ways we have previously thought about noise and its relation to music, silence and culture more generally. Hegarty combines his previous theories of sonic disturbance with an astonishing array of theoretical approaches, turning the idea of noise every which way in order to re-energise discussions of gender, race and the technological economies. Japanese noise, Hip-Hop, sonic ecology, improvisation, video art and a whole lot more are used to rethink what it means to listen—and through which devices—to sonic disturbance. Poetic, eclectic and bold, this is a theoretical tour de force that will make you hear differently, a skill that has never been so urgently required.
Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime.