Blind Date The Bold and the Beautiful in Flemish Portraits
Portraits from the Phoebus Foundation
Katharina Van Cauteren, Nils Bütttner, Matthias Ubl & Hildegard Van de Velde
Blind Date The Bold and the Beautiful in Flemish Portraits
Portraits from the Phoebus Foundation
Katharina Van Cauteren, Nils Bütttner, Matthias Ubl & Hildegard Van de Velde
Hardback / gebonden
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Engels
€ 60,00
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Omschrijving
BOEKFICHE The Bold and the Beautiful - In Flemish Portraits
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the fifteenth to the seventeenth centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
THE STORY OF FLEMISH PORTRAITURE TOLD THROUGH MASTERPIECES IN THE COLLECTION OF THE PHOEBUS FOUNDATION.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, from 14.03.2020 to 31.12.2020 in Snijders&Rockoxhuis Antwerp, curated by dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
• 29 x 25 cm
• 400 pages
• Hardcover
• € 60
• Quadrichromy
• English edition
• ISBN 978 94 6388 740 3
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the fifteenth to the seventeenth centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
THE STORY OF FLEMISH PORTRAITURE TOLD THROUGH MASTERPIECES IN THE COLLECTION OF THE PHOEBUS FOUNDATION.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, from 14.03.2020 to 31.12.2020 in Snijders&Rockoxhuis Antwerp, curated by dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
• 29 x 25 cm
• 400 pages
• Hardcover
• € 60
• Quadrichromy
• English edition
• ISBN 978 94 6388 740 3