The Emergence of Film Culture
Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945
The Emergence of Film Culture
Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945
- Vanaf €15,- geen verzendkosten.
- 30 dagen ruiltermijn voor fysieke producten
Omschrijving
2014 PREMIO LIMINA PRIZE FOR BEST FILM STUDIES BOOK (IN A LANGUAGE OTHER THAN ITALIAN)
“…the book offers a rich and articulated picture of the organization and building of film culture in interwar Europe, and proves to be very keen in disclosing unexplored corners of well-known national film histories (as the Italian and German ones), but also of little explored scenarios (such as Swedish film culture or the Yugoslavian case).” · Historical Journal of Film, Radio and Television
“[C]ontributes significantly to...a welcome turn among film historians who increasingly inscribe individual films, directors, and national practices within transnational, regional, and global film cultures...has the potential to become a key reference for critical approaches to film cultures in interwar Europe.” · Steven Ungar, University of Iowa
“This newest anthology is a wonderful contribution to the field...offer[ing] valuable takes on the development of European film culture in the interwar period...[I]t goes beyond the usual suspects (say, France and Germany) to examine the flourishing of a new film culture in many other contexts throughout Europe. There is an opening up of film historiography here in a way that is quite exciting and quite productive.” · Dana Polan, New York University
Malte Hagener is Professor of Media Studies at Philipps Universität Marburg. He is the author of Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam UP 2007) and with Thomas Elsaesser of Film Theory: An Introduction through the Senses (Routledge 2010).