Hardback / gebonden
|
Engels
€ 59,50
- Vanaf €15,- geen verzendkosten.
- 30 dagen ruiltermijn voor fysieke producten
Omschrijving
A poignant memorial to the civilian victims of Colombia’s ongoing, armed conflict in words, photographs and installations.
Erika Diettes is a Colombian visual artist and social anthropologist who explores issues of memory, pain, absence and death in a variety of mediums. Her work has been exhibited in unique spaces linked to re-memoration processes developed by the victims’ movements in Colombia, as well as at other venues including the Museums of Modern Art of Bogotá, Cali, Medellín, and Barranquilla in Colombia; the Museum of Contemporary Art in Santiago de Chile, at the Museum of Fine Arts and the Fotofest Biennal in Houston, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, the Malta Festival in Poznań, Poland, and at CENTER in Santa Fe, New Mexico. Her work is part of the permanent collection of the Museo de Antioquia (Colombia) and the Museum of Fine Arts Houston. Anne Wilkes Tucker is the former Gus and Lyndall Wortham Curator of Photography at the Museum of Fine Arts, Houston. From 1976, when she founded the Department of Photography at MFAH, until her retirement in June 2015, she organized or co-organized more than forty exhibitions of photography, including retrospectives on Brassaï, Louis Faurer, Robert Frank, George Krause, Ray K. Metzker, Richard Misrach, and, most recently, “WAR/PHOTOGRAPHY: Images of Armed Conflict and its Aftermath,” and expanded the museum’s photographic holdings from 141 images to more than 29,000, representing work by some 4,000 artists from all seven continents. In 2001, she was named America’s best curator by TIME magazine. Ileana Diéguez is a research professor in the Humanities and Social Sciences Department at Universidad Autónoma Metropolitana (UAM) in Mexico City, where she works on issues of modern and performing arts, as well as the processes pertaining to performativity and disassembly. She has curated exhibitions on these themes in Mexico and South America, and is the author of several books including Cuerpos sin duelo. Iconografías y teatralidades del dolor/Bodies Without Mourning. Iconographies and Theatricalities of Pain (Document A, 2013), and Escenarios Liminales. Teatralidades, performances y política/Liminal Stages/Scenarios. Theatricalities, Performances and Politics (Atuel 2011).
Erika Diettes is a Colombian visual artist and social anthropologist who explores issues of memory, pain, absence and death in a variety of mediums. Her work has been exhibited in unique spaces linked to re-memoration processes developed by the victims’ movements in Colombia, as well as at other venues including the Museums of Modern Art of Bogotá, Cali, Medellín, and Barranquilla in Colombia; the Museum of Contemporary Art in Santiago de Chile, at the Museum of Fine Arts and the Fotofest Biennal in Houston, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, the Malta Festival in Poznań, Poland, and at CENTER in Santa Fe, New Mexico. Her work is part of the permanent collection of the Museo de Antioquia (Colombia) and the Museum of Fine Arts Houston. Anne Wilkes Tucker is the former Gus and Lyndall Wortham Curator of Photography at the Museum of Fine Arts, Houston. From 1976, when she founded the Department of Photography at MFAH, until her retirement in June 2015, she organized or co-organized more than forty exhibitions of photography, including retrospectives on Brassaï, Louis Faurer, Robert Frank, George Krause, Ray K. Metzker, Richard Misrach, and, most recently, “WAR/PHOTOGRAPHY: Images of Armed Conflict and its Aftermath,” and expanded the museum’s photographic holdings from 141 images to more than 29,000, representing work by some 4,000 artists from all seven continents. In 2001, she was named America’s best curator by TIME magazine. Ileana Diéguez is a research professor in the Humanities and Social Sciences Department at Universidad Autónoma Metropolitana (UAM) in Mexico City, where she works on issues of modern and performing arts, as well as the processes pertaining to performativity and disassembly. She has curated exhibitions on these themes in Mexico and South America, and is the author of several books including Cuerpos sin duelo. Iconografías y teatralidades del dolor/Bodies Without Mourning. Iconographies and Theatricalities of Pain (Document A, 2013), and Escenarios Liminales. Teatralidades, performances y política/Liminal Stages/Scenarios. Theatricalities, Performances and Politics (Atuel 2011).