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García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief. Or, at least, it puts his journalism on the same level as his fiction, which is quite some level.
García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief. Or, at least, it puts his journalism on the same level as his fiction, which is quite some level.
The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start. . . . He's among those rare great fiction writers whose ancillary work is almost always worth finding. . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.
In his journalism, García Márquez's prose was as precise, euphonious and inventive as it was in his fiction. Only a magician of a translator like Anne McLean could get it right. For anyone who has been enthralled by One Hundred Years of Solitude, The Scandal of the Century is an essential book.
Gabriel García Márquez was born in Aracataca, Colombia, in 1927. He studied at the National University of Colombia in Bogotá, and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas and New York. He is the author of several novels and collections of stories, including Eyes of a Blue Dog (1947), Leaf Storm (1955), No One Writes to the Colonel (1958), In Evil Hour (1962), Big Mama's Funeral (1962), One Hundred Years of Solitude (1967), Innocent Erendira and Other Stories (1972), The Autumn of the Patriarch (1975), Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), The General in His Labyrinth (1989), Strange Pilgrims (1992), Of Love and Other Demons (1994) and Memories of My Melancholy Whores (2005). Many of his books are published by Penguin. He was awarded the Nobel Prize for Literature in 1982. Gabriel García Márquez died in 2014.
García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief. Or, at least, it puts his journalism on the same level as his fiction, which is quite some level.
The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start. . . . He's among those rare great fiction writers whose ancillary work is almost always worth finding. . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.
In his journalism, García Márquez's prose was as precise, euphonious and inventive as it was in his fiction. Only a magician of a translator like Anne McLean could get it right. For anyone who has been enthralled by One Hundred Years of Solitude, The Scandal of the Century is an essential book.
Gabriel García Márquez was born in Aracataca, Colombia, in 1927. He studied at the National University of Colombia in Bogotá, and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas and New York. He is the author of several novels and collections of stories, including Eyes of a Blue Dog (1947), Leaf Storm (1955), No One Writes to the Colonel (1958), In Evil Hour (1962), Big Mama's Funeral (1962), One Hundred Years of Solitude (1967), Innocent Erendira and Other Stories (1972), The Autumn of the Patriarch (1975), Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), The General in His Labyrinth (1989), Strange Pilgrims (1992), Of Love and Other Demons (1994) and Memories of My Melancholy Whores (2005). Many of his books are published by Penguin. He was awarded the Nobel Prize for Literature in 1982. Gabriel García Márquez died in 2014.