"It is often authoritative and comprehensive; it is especially well informed on the origins of the libretto, Maeterlinck's philosophical and literary influences, and the collaborative processes between the playwright, the composer Paul Dukas, and the singer Georgette Leblanc. The tables of recordings, performances, and so on render this book an invaluable tool for researchers."—Laura Watson, author of Paul Dukas: Composer and Critic
"This is as thorough an examination of Ariane et Barbe-bleue, in all its aspects, as one is likely to see. Generous appendixes with illustrations and historical documents round out the picture. An intriguing addition to the literature on music."—B. J. Murray, Miami University
"It is often authoritative and comprehensive; it is especially well informed on the origins of the libretto, Maeterlinck's philosophical and literary influences, and the collaborative processes between the playwright, the composer Paul Dukas, and the singer Georgette Leblanc. The tables of recordings, performances, and so on render this book an invaluable tool for researchers."—Laura Watson, author of Paul Dukas: Composer and Critic
"This is as thorough an examination of Ariane et Barbe-bleue, in all its aspects, as one is likely to see. Generous appendixes with illustrations and historical documents round out the picture. An intriguing addition to the literature on music."—B. J. Murray, Miami University
Matthew Brown is Professor of Music Theory at the Eastman School of Music. He is author of numerous articles and five books, including Debussy Redux: The Impact of His Music on Popular Culture (IUP). In 2011, he founded TableTopOpera, a multimedia chamber ensemble based at the Eastman School of Music.
Th. Emil Homerin was Professor of Religion and Former Chair of the Department of Religion and Classics at the University of Rochester. His works include a number of books and articles on Islam, Arabic literature, and mysticism. He is author (with Joy Calico and Matthew Brown) of "Comic Book Opera: P. Craig Russell's Salome in a Production by Table Top Opera" in The Opera Quarterly.