"In Conchophilia seven scholars dissect why Renaissance-era collectors braved maritime hazards to beachcomb. Finding the pearliest treasures at shorelines called for avoiding crocodiles, spiny urchins and ‘burning sea slime’. . . . Painters depicted shells, with names as wonderful as ‘precious wentletrap’ and ‘speckled episcopal miter,’ arrayed on banquet tables or in the hands of exulting deities. Metalsmiths set nautiluses on gold pedestals sculpted with mermaid and sea foam motifs. Collectors had favorite shells cemented onto grotto walls, sometimes in the bristly shapes of pine cones and artichokes."---Eve M. Kahn, New York Times

"In Conchophilia seven scholars dissect why Renaissance-era collectors braved maritime hazards to beachcomb. Finding the pearliest treasures at shorelines called for avoiding crocodiles, spiny urchins and ‘burning sea slime’. . . . Painters depicted shells, with names as wonderful as ‘precious wentletrap’ and ‘speckled episcopal miter,’ arrayed on banquet tables or in the hands of exulting deities. Metalsmiths set nautiluses on gold pedestals sculpted with mermaid and sea foam motifs. Collectors had favorite shells cemented onto grotto walls, sometimes in the bristly shapes of pine cones and artichokes."---Eve M. Kahn, New York Times

"This richly illustrated collection of essays conceptualises the shell and how it was used in material and visual culture, philosophy, and aesthetics as a ‘vessel’ to comprehend early modern society, primarily in a Dutch and German context. . . . [A] well-produced and beautiful book, even its softly glowing endpapers reminiscent of polished shells and nacre. Of interest to art historians, historians of science, and historians of visual and material culture, the essays are also clearly written and approachable, offering many pearls of wisdom. I highly recommend it."---Anna Marie Roos, Early Modern Low Countries

"The exquisitely illustrated, thought-provoking book examines the complicated provenances, varied uses, and key role of shells in shaping this period’s visual and aesthetic culture."---Lauren Moya Ford, Hyperallergic

"[Conchophilia does] an excellent job in surveying both art history and the history of science to discuss the uses of shells in art. . . . The lavish illustrations alone are worth the price of purchase. . . . Truly a feast for the eyes."---Alan R. Kabat, American Conchologist

"Conchophilia is well-designed and beautifully illustrated, a book that deploys wonderful narratives about the love of shells in early modern Europe. . . . A captivating combination of the material and the social, of shells and people."---Marlise Rijks, Early Science and Medicine

"A very handsome book replete with full-color photographs, Conchophilia is a joy to read, as appealing and stimulating as the curiosities it considers."---James Clifton, Historians of Netherlandish Art Reviews

"All the studies in this beautiful book command respect: they are distinctly original and relevant and unfold with keen intelligence. With a novel, methodical approach, and by means of very subtle and magnificently illustrated analyses, they illuminate European collections of the first modern era."---Myriam Marrache-Gouraud, Renaissance and Reformation

"A thought-provoking and beautifully produced book. . . . [A]s all authors convincingly show in their chapters, a case can be made for the particular poignant love of shells from the early sixteenth century onward. Both as literal and metaphorical vessels, it is argued, shells prompted reflection, contemplation, and discussion, as material manifestations of exoticness, (natural and divine) craftmanship, and aesthetics."---Marika Keblusek, Renaissance Quarterly

"A fascinating book."---Christopher Stocks, Country Life

"Combining rigorous historical scholarship with gorgeous coffee-table book presentation, Conchophilia is an eye-opening exploration of a little-studied area of early modern collecting. . . . This book is a must-read for any scholars of curiosity cabinets or seventeenth-century collecting and situates itself firmly in this scholarly landscape. It also creates further lines for inquiry about shell collection outside of this area and period."---Nathan Cornish, H-Environment

Marisa Anne Bass is Professor of Northern European Art (1400–1700) at Yale University. Her books include Insect Artifice and Jan Gossart and the Invention of Netherlandish Antiquity (both Princeton). Anne Goldgar is the Garrett and Anne Van Hunnick Professor of European History at the University of Southern California. Her books include Tulipmania and Impolite Learning. Twitter @anne_goldgar Hanneke Grootenboer is Professor of the History of Art and Chair of the department at Radboud University Nijmegen. Her books include Treasuring the Gaze and The Pensive Image. Claudia Swan is the Mark S. Weil Professor of Art History and Archaeology at Washington University in St. Louis. Her books include Art, Science, and Witchcraft in Early Modern Holland and Rarities of These Lands (Princeton). Twitter @raritiesof