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Engels
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Omschrijving
A stunning record of inheritance, memory and belonging . . . In Lee's writing, you feel the radical potential of the essay form; at once expansive and intimate, and most of all, gorgeously written. This is a book I will return to often over the course of my life
A stunning record of inheritance, memory and belonging . . . In Lee's writing, you feel the radical potential of the essay form; at once expansive and intimate, and most of all, gorgeously written. This is a book I will return to often over the course of my life
Profound, poetic, illuminating and moving, Dispersals' deep knowledge, sensitivity and research (worn so lightly) addresses just how entwined our fortunes, migration and language are with plants; how much we are part of nature. Important and vivid
The author laces her histories with a subtle and personal optimism. Just as those plants replanted far from home, we can adapt to transition, dispersal, and recollection. An insightful meditation on nature and identity within 'a world in motion
Lee does a masterful job of blending personal reflection with natural and political history, and her prose is crystalline . . . This deserves a wide audience
A beautiful book about belonging—plant and human. A work that will make you look at the orange in your hand, the moss underfoot, the tea that you sip a little more closely. Lee turns her careful gaze to the easy stories we tell ourselves about foreign and native, and leaves us with a vision of the world simultaneously more nuanced and more precious
Dispersals is a beautifully written and complex book . . . [Lee] shows us with stunning prose, tenderness and precision the unexpected ways that we all connect and are connected by the plants around us
One of the most interesting and celebrated contemporary writers of nature, identity and place . . . her work deftly interweaves personal memoir and family history with botany, cultural criticism and first-hand observations of the natural world
Richly textured . . . These essays critically probe the native/nonnative paradigm of invasive-species ecology. Lee’s voice will stay with readers long after they finish this book
[A] lyrical essay collection . . . Lee writes intimately about her own oscillating cravings for movement and rootedness . . . Dispersals shows us that we cannot view the trajectory of a plant without bumping into trajectories of human power
Lee evokes a centuries-long history of border crossings — by people and by plants — to throw into question what it means to really belong, love, and protect, and what our collective future might hold on a planet forever evolving in the wake of trans-continental migration
A brilliant, thoughtful, and thought-provoking collection of essays, which expertly blend personal reflection and natural history . . . you will not look at the plants around you in the same way again
Exquisite, haunting . . . Lee continues her insistent, clear-eyed quest for nourishment and vitality, even when both are complicated, and encourages readers to do the same
Jessica J. Lee is a British-Canadian-Taiwanese author and environmental historian. She is the author of two books of nature writing, Turning and Two Trees Make a Forest, and has been awarded the Hilary Weston Writers' Trust Prize for Nonfiction, the Boardman Tasker Award for Mountain Literature, and the RBC Taylor Prize Emerging Writer Award. Jessica is the founding editor of The Willowherb Review and is a researcher at the University of Cambridge.
A stunning record of inheritance, memory and belonging . . . In Lee's writing, you feel the radical potential of the essay form; at once expansive and intimate, and most of all, gorgeously written. This is a book I will return to often over the course of my life
Profound, poetic, illuminating and moving, Dispersals' deep knowledge, sensitivity and research (worn so lightly) addresses just how entwined our fortunes, migration and language are with plants; how much we are part of nature. Important and vivid
The author laces her histories with a subtle and personal optimism. Just as those plants replanted far from home, we can adapt to transition, dispersal, and recollection. An insightful meditation on nature and identity within 'a world in motion
Lee does a masterful job of blending personal reflection with natural and political history, and her prose is crystalline . . . This deserves a wide audience
A beautiful book about belonging—plant and human. A work that will make you look at the orange in your hand, the moss underfoot, the tea that you sip a little more closely. Lee turns her careful gaze to the easy stories we tell ourselves about foreign and native, and leaves us with a vision of the world simultaneously more nuanced and more precious
Dispersals is a beautifully written and complex book . . . [Lee] shows us with stunning prose, tenderness and precision the unexpected ways that we all connect and are connected by the plants around us
One of the most interesting and celebrated contemporary writers of nature, identity and place . . . her work deftly interweaves personal memoir and family history with botany, cultural criticism and first-hand observations of the natural world
Richly textured . . . These essays critically probe the native/nonnative paradigm of invasive-species ecology. Lee’s voice will stay with readers long after they finish this book
[A] lyrical essay collection . . . Lee writes intimately about her own oscillating cravings for movement and rootedness . . . Dispersals shows us that we cannot view the trajectory of a plant without bumping into trajectories of human power
Lee evokes a centuries-long history of border crossings — by people and by plants — to throw into question what it means to really belong, love, and protect, and what our collective future might hold on a planet forever evolving in the wake of trans-continental migration
A brilliant, thoughtful, and thought-provoking collection of essays, which expertly blend personal reflection and natural history . . . you will not look at the plants around you in the same way again
Exquisite, haunting . . . Lee continues her insistent, clear-eyed quest for nourishment and vitality, even when both are complicated, and encourages readers to do the same
Jessica J. Lee is a British-Canadian-Taiwanese author and environmental historian. She is the author of two books of nature writing, Turning and Two Trees Make a Forest, and has been awarded the Hilary Weston Writers' Trust Prize for Nonfiction, the Boardman Tasker Award for Mountain Literature, and the RBC Taylor Prize Emerging Writer Award. Jessica is the founding editor of The Willowherb Review and is a researcher at the University of Cambridge.