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A lyrical novel about the lingering physical and psychological effects of domestic abuse and the main character's discovery of and descent into the the occult to try and banish the presence haunting her life.
A smart, sinister novel about how an abusive relationship - with its ominous rituals, hexes and jump-scares - can turn a home into a haunted house. Blood-curdling and bloody brilliant.
Unsettling and atmospheric with a tang of sulphur
When I Hit You meets The Craft - this slim, searing novel lures you in with the delicious nostalgia of teenage witchcraft before breaking you in two with its acute account of emotional and physical abuse. I was left completely breathless
Jenna Clake's sun-baked novel is a sly and sharply-written portrayal of loneliness, the devastating effects of an abusive relationship and our cultural infatuation with the perceived potential of adolescence. Both bracing and compelling, muted yet blazing with undercurrents of uncanny nostalgia and female rage - a dark and shifty treat.
SO beautifully written - a nuanced and raw portrayal of domestic abuse so realistic I felt like the author had been in my head and rooted through my memories. Can't recommend enough . . . It's also hopeful and powerful, following the narrator as she learns to trust her own judgement again and rediscovers her power.
Told in vivid domestic details flavoured by the occult, Disturbance embodies the claustrophobic fear and denial that can haunt survivors of abuse long after the danger has passed. This book reads like a poem but hits like a horror novel. What a mysterious, painful, yet strangely delicious slice of life
Wonderfully witchy and emotionally astute. Disturbance hums with a tense and eerie energy and paints a powerful portrait of a young woman recovering from abuse
Clake's first novel is blazingly emotionally intelligent, caustically well-observed and at times painfully funny. Shot through with the most convincingly uncanny and unsettling latent plot I've encountered in years. Comparisons are odious, but it feels like Normal People meets Twin Peaks
A hypnotic debut . . . the narrator's history is delicately unveiled, and I was in awe of the nuanced way in which Jenna Clake handled such a harrowing subject
I enjoyed it very much. It is a beautifully written exploration of the aftermath of an abusive relationship. The prose is deceptively simple, highly sensual and sparkling with original imagery. Humorous and insightful in its depiction of teenagers dabbling in witchcraft, it is ultimately a serious story about a young woman recovering from trauma, and the psychological complexity of her story is both disturbing and - ultimately - immensely satisfying
Jenna Clake's debut collection of poetry, Fortune Cookie, won the Melita Hume prize in 2016 and was published in 2017 by Eyewear. It received an Eric Gregory Award from the Society of Authors in 2018 and was shortlisted for a Somerset Maugham Award in the same year. Jenna's poetry criticism has appeared in Poetry London, Poetry School, and Poetry Review. Her second collection Museum of Ice Cream was published by Bloodaxe and featured as one of the Telegraph's best new poetry books in 2021. She lectures in Creative Writing at Teesside University.
A smart, sinister novel about how an abusive relationship - with its ominous rituals, hexes and jump-scares - can turn a home into a haunted house. Blood-curdling and bloody brilliant.
Unsettling and atmospheric with a tang of sulphur
When I Hit You meets The Craft - this slim, searing novel lures you in with the delicious nostalgia of teenage witchcraft before breaking you in two with its acute account of emotional and physical abuse. I was left completely breathless
Jenna Clake's sun-baked novel is a sly and sharply-written portrayal of loneliness, the devastating effects of an abusive relationship and our cultural infatuation with the perceived potential of adolescence. Both bracing and compelling, muted yet blazing with undercurrents of uncanny nostalgia and female rage - a dark and shifty treat.
SO beautifully written - a nuanced and raw portrayal of domestic abuse so realistic I felt like the author had been in my head and rooted through my memories. Can't recommend enough . . . It's also hopeful and powerful, following the narrator as she learns to trust her own judgement again and rediscovers her power.
Told in vivid domestic details flavoured by the occult, Disturbance embodies the claustrophobic fear and denial that can haunt survivors of abuse long after the danger has passed. This book reads like a poem but hits like a horror novel. What a mysterious, painful, yet strangely delicious slice of life
Wonderfully witchy and emotionally astute. Disturbance hums with a tense and eerie energy and paints a powerful portrait of a young woman recovering from abuse
Clake's first novel is blazingly emotionally intelligent, caustically well-observed and at times painfully funny. Shot through with the most convincingly uncanny and unsettling latent plot I've encountered in years. Comparisons are odious, but it feels like Normal People meets Twin Peaks
A hypnotic debut . . . the narrator's history is delicately unveiled, and I was in awe of the nuanced way in which Jenna Clake handled such a harrowing subject
I enjoyed it very much. It is a beautifully written exploration of the aftermath of an abusive relationship. The prose is deceptively simple, highly sensual and sparkling with original imagery. Humorous and insightful in its depiction of teenagers dabbling in witchcraft, it is ultimately a serious story about a young woman recovering from trauma, and the psychological complexity of her story is both disturbing and - ultimately - immensely satisfying
Jenna Clake's debut collection of poetry, Fortune Cookie, won the Melita Hume prize in 2016 and was published in 2017 by Eyewear. It received an Eric Gregory Award from the Society of Authors in 2018 and was shortlisted for a Somerset Maugham Award in the same year. Jenna's poetry criticism has appeared in Poetry London, Poetry School, and Poetry Review. Her second collection Museum of Ice Cream was published by Bloodaxe and featured as one of the Telegraph's best new poetry books in 2021. She lectures in Creative Writing at Teesside University.