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David Kwasu Tempo's book offers an interesting scholarly perspective on the work of much-admired animator Genndi Tartakovsky. Delving deep into cultural background and exegesis of Tartakovsky's many works it makes for an engaging and frequently thought-provoking read.
David Kwasu Tempo's book offers an interesting scholarly perspective on the work of much-admired animator Genndi Tartakovsky. Delving deep into cultural background and exegesis of Tartakovsky's many works it makes for an engaging and frequently thought-provoking read.
Presenting an in depth account on the sincerity and virtuosity of Genndy Tartakowsky’s animated oeuvre, Kwasu David Tembo’s extensive research, interviews and filmic analysis, reveals the personal story and the intricacies behind the creative process of a contemporary master artist and animator.
Kwasu David Tembo is undergraduate tutor and lecturer at the University of Edinburgh, UK. He earned his PhD from the University of Edinburgh, UK, in the Language, Literatures, and Cultures department. His research interests include comics studies, literary theory and criticism, and philosophy. He has published in the edited collections The Cinema of Christopher Nolan: Imagining the Impossible, ed. Jacqueline Furby and Stuart Joy (2015) and in Postscriptum: An Interdisciplinary Journal of Literary Studies (2017).
David Kwasu Tempo's book offers an interesting scholarly perspective on the work of much-admired animator Genndi Tartakovsky. Delving deep into cultural background and exegesis of Tartakovsky's many works it makes for an engaging and frequently thought-provoking read.
Presenting an in depth account on the sincerity and virtuosity of Genndy Tartakowsky’s animated oeuvre, Kwasu David Tembo’s extensive research, interviews and filmic analysis, reveals the personal story and the intricacies behind the creative process of a contemporary master artist and animator.
Kwasu David Tembo is undergraduate tutor and lecturer at the University of Edinburgh, UK. He earned his PhD from the University of Edinburgh, UK, in the Language, Literatures, and Cultures department. His research interests include comics studies, literary theory and criticism, and philosophy. He has published in the edited collections The Cinema of Christopher Nolan: Imagining the Impossible, ed. Jacqueline Furby and Stuart Joy (2015) and in Postscriptum: An Interdisciplinary Journal of Literary Studies (2017).