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Engels
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Omschrijving
A new edition of one of Shakespeare's most complex and enigmatic plays.
Emma Whipday is Lecturer in Renaissance Literature at Newcastle University. She studied at Magdalen College, Oxford, and UCL; has taught at King's College London, Shakespeare's Globe, Royal Central School of Speech and Drama, and Brasenose College, Oxford; and held a Leverhulme Early Career Fellowship at UCL and Newcastle. Her publications include Shakespeare's Domestic Tragedies (2019; co-winner of Shakespeare's Globe Book Award 2020); Teaching Shakespeare and His Sisters (2023); the co-edited essay collection Playing and Playgoing (2022); and the play Shakespeare's Sister (2016). Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of the four-part New Oxford Shakespeare (2016-2017), and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.
Emma Whipday is Lecturer in Renaissance Literature at Newcastle University. She studied at Magdalen College, Oxford, and UCL; has taught at King's College London, Shakespeare's Globe, Royal Central School of Speech and Drama, and Brasenose College, Oxford; and held a Leverhulme Early Career Fellowship at UCL and Newcastle. Her publications include Shakespeare's Domestic Tragedies (2019; co-winner of Shakespeare's Globe Book Award 2020); Teaching Shakespeare and His Sisters (2023); the co-edited essay collection Playing and Playgoing (2022); and the play Shakespeare's Sister (2016). Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of the four-part New Oxford Shakespeare (2016-2017), and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.