Modular Synthesis
Patching Machines and People
Modular Synthesis
Patching Machines and People
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Omschrijving
Modular Synthesis brings together scholars, artists, composers, and musical instrument designers in an exploration of modular synthesis, an unusually multifaceted musical instrument that opens up many avenues for exploration and insight, particularly with respect to technological use, practice, and resistance.
"Just when everyone thought digital had evolved into music’s alpha species, modular analog synthesizers resurged after decades of dormancy. Modular Synthesis provides a valuable overview of how and why the technology that redefined the musical instrument in the 1960s became relevant and transformative again."
Nicolas Collins, composer and author of Handmade Electronic Music — The Art of Hardware Hacking
"It’s no accident that the first academic collection on modular synthesizers touches on so many disciplines. Across its pages you will hear from musicians, artists, makers, and scholars from across the arts and human sciences. How many books on music discuss looms, switchboards, and electric fish? How many books on philosophy examine the material metaphors on which philosophers’ ideas are based? How many books on electronics include studies of education or the gendered politics of naming? Modular Synthesis is as varied, multidisciplinary, and enchanting as its object of study."
Jonathan Sterne, author of Diminished Faculties, MP3, and The Audible Past
Ezra J. Teboul is a researcher and artist, and currently a student librarian at Concordia University. They obtained a PhD in Electronic Arts from Rensselaer Polytechnic Institute in 2020. In 2022, they were a scholar-in-residence at the Columbia University Computer Music Center. Their work focuses on the material histories of electricity, work, and music.
Andreas Kitzmann is an associate professor of Humanities at York University in Toronto, Canada. His research interests include modular synthesis, technology and culture, digital media and community, and memory studies. His self-authored books include The Hypertext Handbook: The Straight Story and Saved from Oblivion: Documenting the Daily from Diaries to Web Cams. He has co-edited two books, and his work has also been included in various edited collections and journals such as A History of English Autobiography (2016), From Text to Txting: New Media in the Classroom (2012), the International Journal of Research into New Media Technologies (2017), First Monday (2015), and Organized Sound (2023).
Einar Engström is a software engineer, modular synthesist, and computer musician. Creatively, he has been known to code in Lua, SuperCollider, Tidal Cycles, and the Teletype esolang, whilst professionally he primarily inhabits the BEAM ecosystem. Both practices are natural extensions to Einar’s previous PhD research into the history and philosophy of computing music programming, which focused on the Acoustical and Behavioral Research Center at Bell Laboratories—the first behemoth of innovation in both telecommunications and computing. He also holds an MA in Visual Culture from Waseda University (Tokyo, Japan), is a former editor-in-chief of the bilingual international contemporary art magazine LEAP (Beijing, China) and technician and researcher at RE/Lab (Toronto Metropolitan University), and has hands in various electronic music record labels.