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Natalie Haynes, Women's Prize-shortlisted author of A Thousand Ships, brings life to the infamous myth of Medusa with a heartbreaking, feminist retelling unlike any other.
Witty, gripping, ruthless
Beautiful and moving
The rollicking narrative voice that energises Stone Blind . . . is a voice that feels at once bitingly (post)modern and filled with old wisdom . . . The Gorgon’s head will take on a new and powerful resonance as a symbol of the way stories can be warped by time. Stone Blind acts as a brilliant and compellingly readable corrective.
Stone Blind is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement
With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny
A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge
It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word
Stone Blind is inventive and playful . . . [and] very funny
Pat Barker, Margaret Atwood and Madeline Miller have all successfully picked at the seams of the traditionally male take on these fantastic tales. But Natalie Haynes’s genius, this time with Stone Blind, her third Greek myth novel, is to not just focus on the female experience of Greek myth but also to add zest, humour and more than a little mischief . . . The ride is gripping, funny and heartbreaking. Love, sorrow, adventure and humour - Stone Blind has it all
What makes a monster is the central question in Natalie Haynes’ wry, spry feminist take on the Medusa myth . . . an earthy, playful yet rage-filled upending of the Greek hero trope
With wit, humanity and extraordinary imagination, Haynes breathes life and meaning into myths as she has done so brilliantly before (most famously with A Thousand Ships). She also shows that monsters can be divine or mortal. Not all heroes wear capes – and not all villains have snakes
Haynes’ clever, empathetic writing transforms Medusa from Gorgon into a girl, who’s a victim of the cruel machinations of the gods and of circumstance
Natalie Haynes has made a contemporary classic out of a classic . . . and it should win prizes
There’s real tenderness in Haynes’s portrait of Medusa, a mortal abomination born into a family of divinities, and the efforts of her immortal Gorgon sisters to protect her from herself
Haynes is [a] master of her trade . . . She succeeds in breathing warm life into some of our oldest stories
Haynes is the nation’s great muse
Natalie Haynes is swiftly becoming this generation’s Mary Renault
With her trademark passion, wit and fierce feminism, Haynes gives much-needed voice to the silenced women of the Trojan War. Her thoughtful portraits will linger with you long after the book is finished
Haynes is a rock-star mythologist
Natalie Haynes is a writer and broadcaster. She is the author of The Amber Fury, The Children of Jocasta, and A Thousand Ships, which was shortlisted for the Women’s Prize for Fiction. Her non-fiction book about women in Greek Myth, Pandora’s Jar, was a New York Times Bestseller in 2022. She has written and performed eight series of her BBC Radio 4 show, Natalie Haynes Stands Up for the Classics. In 2015 she was awarded the Classical Association Prize for her work in bringing Classics to a wider audience. Stone Blind is her fourth novel.
Witty, gripping, ruthless
Beautiful and moving
The rollicking narrative voice that energises Stone Blind . . . is a voice that feels at once bitingly (post)modern and filled with old wisdom . . . The Gorgon’s head will take on a new and powerful resonance as a symbol of the way stories can be warped by time. Stone Blind acts as a brilliant and compellingly readable corrective.
Stone Blind is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement
With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny
A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge
It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word
Stone Blind is inventive and playful . . . [and] very funny
Pat Barker, Margaret Atwood and Madeline Miller have all successfully picked at the seams of the traditionally male take on these fantastic tales. But Natalie Haynes’s genius, this time with Stone Blind, her third Greek myth novel, is to not just focus on the female experience of Greek myth but also to add zest, humour and more than a little mischief . . . The ride is gripping, funny and heartbreaking. Love, sorrow, adventure and humour - Stone Blind has it all
What makes a monster is the central question in Natalie Haynes’ wry, spry feminist take on the Medusa myth . . . an earthy, playful yet rage-filled upending of the Greek hero trope
With wit, humanity and extraordinary imagination, Haynes breathes life and meaning into myths as she has done so brilliantly before (most famously with A Thousand Ships). She also shows that monsters can be divine or mortal. Not all heroes wear capes – and not all villains have snakes
Haynes’ clever, empathetic writing transforms Medusa from Gorgon into a girl, who’s a victim of the cruel machinations of the gods and of circumstance
Natalie Haynes has made a contemporary classic out of a classic . . . and it should win prizes
There’s real tenderness in Haynes’s portrait of Medusa, a mortal abomination born into a family of divinities, and the efforts of her immortal Gorgon sisters to protect her from herself
Haynes is [a] master of her trade . . . She succeeds in breathing warm life into some of our oldest stories
Haynes is the nation’s great muse
Natalie Haynes is swiftly becoming this generation’s Mary Renault
With her trademark passion, wit and fierce feminism, Haynes gives much-needed voice to the silenced women of the Trojan War. Her thoughtful portraits will linger with you long after the book is finished
Haynes is a rock-star mythologist
Natalie Haynes is a writer and broadcaster. She is the author of The Amber Fury, The Children of Jocasta, and A Thousand Ships, which was shortlisted for the Women’s Prize for Fiction. Her non-fiction book about women in Greek Myth, Pandora’s Jar, was a New York Times Bestseller in 2022. She has written and performed eight series of her BBC Radio 4 show, Natalie Haynes Stands Up for the Classics. In 2015 she was awarded the Classical Association Prize for her work in bringing Classics to a wider audience. Stone Blind is her fourth novel.