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The book that changed the conversation on the contemporary museum
'A real game-changer'
'If you care about museums and the world, read this book'
'Hicks’s urgent, lucid, and brilliantly enraged book feels like a long-awaited treatise on justice'
'Unsparing ... especially timely ... his book invites readers to help break the impasse by joining the movement for restitution.'
'The book is a vital call to action: part historical investigation, part manifesto, demanding the reader do away with the existing “brutish museums” of the title and find a new way for them to exist'
'A startling act of conscience. An important book which could overturn what people have felt about British history, empire, civilisation, Africa, and African art. It is with books like this that cultures are saved, by beginning truthfully to face the suppressed and brutal past. It has fired a powerful shot into the debate about cultural restitution. You will never see many European museums in the same way again. Books like this give one hope that a new future is possible.'
'An epiphanic book for many generations to come'
'Unflinching, elegantly written and passionately argued, this is a call to action'
'In his passionate, personal, and, yes, political account, Dan Hicks transforms our understanding of the looting of Benin. This book shows why being against violence now more than ever means repatriating stolen royal and sacred objects and restoring stolen memories'
'Destined to become an essential text'
'Dan, your words brought tears to my eyes. I salute you'
'A masterful condemnation and inspiring call to action'
'Timely'
'The Brutish Museums shows that colonial violence is unfinished, and as it persists in the present, it cannot be relativized.'
'The Brutish Museums leaves no stone unturned'
'The Brutish Museums argues, persuasively, that the corporate-militaristic pillage behind Europe’s encyclopedic collections is not a simple matter of possession, but a systematic extension of warfare across time'
'A bombshell book'
‘After this book, there can be no more false justifications for holding Benin Bronzes in museums outside of Africa’
‘Presents a powerful case for restitution of looted objects, and hostile responses to it highlight enduring attachments to imperialism'
Dan Hicks is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. His award-winning research focuses on decolonisation in art and culture, and academic disciplines, and on the role of cultural whiteness in ongoing histories of colonial violence and dispossession.