Omschrijving
“Was the last Group of Seven painting you looked at a fake? Quite possibly, according to Jon S. Dellandrea. Packed with art, history, case examples, careful examinations, and jaw-dropping details about how crime has been part of the Canadian cultural ecosystem, The Great Canadian Art Fraud Case reveals why for decades scholars, auction houses, galleries, and museums have turned a blind eye to felonies in plain sight.”
“Was the last Group of Seven painting you looked at a fake? Quite possibly, according to Jon S. Dellandrea. Packed with art, history, case examples, careful examinations, and jaw-dropping details about how crime has been part of the Canadian cultural ecosystem, The Great Canadian Art Fraud Case reveals why for decades scholars, auction houses, galleries, and museums have turned a blind eye to felonies in plain sight.”
“The Great Canadian Art Fraud Case reads like the detective story it actually is. It even boasts a real-life police inspector as the protagonist who delves dutifully into a subject that he initially knows practically nothing about but becomes a bonafide art expert and the hero of the hour. Yet, not even the inspector could supply a definitive answer to just who the forger was ... It is left to Dellandrea to point the finger, following his years of painstaking research among dusty archives and ramshackle attics, tracking down anyone who had even the briefest recollection of the case as well as those involved in it.”
“The Great Canadian Art Fraud Case combines detailed scholarship, solid journalistic research, and engaging personal stories in an enjoyable and enlightening read. Leavened with flashes of wit and interesting contextual side paths, Dellandrea’s book, which reads like just what he describes it as — a labour of love — is highly recommended reading for anyone who is interested in the rewards and the pitfalls of collecting Canadian ‘blue-chip’ art.”
Jon S. Dellandrea is a Canadian educator and author. He is a senior fellow at Massey College, chair emeritus of the Art Canada Institute, and a Member of the Order of Canada. His articles on fakes and forgeries in Canadian art have appeared in the Literary Review of Canada and Canada’s History.