Whose Country Music?
Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
Whose Country Music?
Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
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Omschrijving
Paula Bishop teaches in the Music Department at Bridgewater State University. She earned her PhD from Boston University with a dissertation on the Everly Brothers and has presented and published on the Everly Brothers, the Nashville songwriters Felice and Boudleaux Bryant, and feminism and country music. Jada Watson is an assistant professor in the School of Information Studies at the University of Ottawa. Principal Investigator of SongData, her research uses market data to address representation in country music. This work was cited in a brief submitted to the US Federal Communications Commission opposing radio deregulation, and the Recording Academy's Report on Inclusion and Diversity.
Paula Bishop teaches in the Music Department at Bridgewater State University. She earned her PhD from Boston University with a dissertation on the Everly Brothers and has presented and published on the Everly Brothers, the Nashville songwriters Felice and Boudleaux Bryant, and feminism and country music. Jada Watson is an assistant professor in the School of Information Studies at the University of Ottawa. Principal Investigator of SongData, her research uses market data to address representation in country music. This work was cited in a brief submitted to the US Federal Communications Commission opposing radio deregulation, and the Recording Academy's Report on Inclusion and Diversity.
Paula Bishop teaches in the Music Department at Bridgewater State University. She earned her PhD from Boston University with a dissertation on the Everly Brothers and has presented and published on the Everly Brothers, the Nashville songwriters Felice and Boudleaux Bryant, and feminism and country music. Jada Watson is an assistant professor in the School of Information Studies at the University of Ottawa. Principal Investigator of SongData, her research uses market data to address representation in country music. This work was cited in a brief submitted to the US Federal Communications Commission opposing radio deregulation, and the Recording Academy's Report on Inclusion and Diversity.