This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology.
Wojciech Bałus is Professor at the Institute of Art History of the Jagiellonian University in Cracow.
Magdalena Kunińska is Assistant Professor at the Institute of Art History at the Jagiellonian University in Cracow.