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Omschrijving
The attempt to repress a majority of its own population backfired on the Confederate States of America as the disenfranchised demanded to be counted and considered in the great struggle over slavery, emancipation, democracy, and nationhood. This title presents the story of this epic political battle.
McCurry strips the Confederacy of myth and romance to reveal its doomed essence. Dedicated to the proposition that men were not created equal, the Confederacy had to fight a two-front war. Not only against Union armies, but also slaves and poor white women who rose in revolt across the South. Richly detailed and lucidly told, Confederate Reckoning is a fresh, bold take on the Civil War that every student of the conflict should read.
McCurry challenges us to expand our definition of politics to encompass not simply government but the entire public sphere. The struggle for Southern independence, she shows, opened the door for the mobilization of two groups previously outside the political nation—white women of the nonslaveholding class and slaves… Confederate Reckoning offers a powerful new paradigm for understanding events on the Confederate home front.
Perhaps the highest praise one can offer McCurry’s work is to say that once we look through her eyes, it will become almost impossible to believe that we ever saw or thought otherwise… Confederate Reckoning is a book about politics that stretches far beyond the ballot and the statehouse, all the way into plantations and farms and families and communities across the South… At the outset of the book, McCurry insists that she is not going to ask or answer the timeworn question of why the South lost the Civil War. Yet in her vivid and richly textured portrait of what she calls the Confederacy’s ‘undoing,’ she has in fact accomplished exactly that.
Good history teaches readers about the past, excellent history offers perspective on the present. By this standard, Stephanie McCurry’s Confederate Reckoning surely achieves excellence… McCurry offers a carefully researched and well-grounded frontal assault, examining secession’s causes and actualities. She quickly disposes of the claims that the war was really about anything other than slavery, demonstrating that fanciful patinas such as ‘states rights’ merely meant linguistic obfuscation of that brutal reality… As modern citizens decry government actions and hearken back to an ideal that never was, so too did the South assert a wish to return to a fictional revolutionary era utopia… McCurry shines a light on the South’s brutal reality and thus encourages us to cast a cold analytical eye on our own.
A staggeringly smart analysis of the politics of the Confederacy—indeed, she has written one of the most illuminating and creative studies of 19th-century American political life, period… I have been waiting for McCurry’s second book to be published since I read Masters of Small Worlds over a decade ago; it is a triumph of political history, and it was well worth the wait.
Forceful and elegantly written…this book [is] a landmark piece of Civil War historiography.
Combining the best of the tradition of writing history ‘from the bottom up,’ with prodigious research, and a red thread of analytical brilliance, Confederate Reckoning dramatically reshapes our understanding of the history of slavery and the Civil War.
This is a major book [that] permanently rewrites the history of the Confederacy.
Analyzing the experience of women, African Americans, and others often placed at the margins of Confederate history, McCurry powerfully challenges readers to get beyond high politics and storied military campaigns to engage a profoundly complicated, and often surprising, story of struggle and change amid seismic events.
Stephanie McCurry is the author of Confederate Reckoning, a finalist for the Pulitzer Prize and winner of the Frederick Douglass Prize, the Merle Curti Prize, the Avery O. Craven Award, and the Willie Lee Rose Prize; and Masters of Small Worlds, winner of the John Hope Franklin Prize and four other awards. She also received a Guggenheim Fellowship. McCurry is the R. Gordon Hoxie Professor of History in Honor of Dwight D. Eisenhower at Columbia University. She grew up in Belfast, Ireland, during the Troubles.
McCurry strips the Confederacy of myth and romance to reveal its doomed essence. Dedicated to the proposition that men were not created equal, the Confederacy had to fight a two-front war. Not only against Union armies, but also slaves and poor white women who rose in revolt across the South. Richly detailed and lucidly told, Confederate Reckoning is a fresh, bold take on the Civil War that every student of the conflict should read.
McCurry challenges us to expand our definition of politics to encompass not simply government but the entire public sphere. The struggle for Southern independence, she shows, opened the door for the mobilization of two groups previously outside the political nation—white women of the nonslaveholding class and slaves… Confederate Reckoning offers a powerful new paradigm for understanding events on the Confederate home front.
Perhaps the highest praise one can offer McCurry’s work is to say that once we look through her eyes, it will become almost impossible to believe that we ever saw or thought otherwise… Confederate Reckoning is a book about politics that stretches far beyond the ballot and the statehouse, all the way into plantations and farms and families and communities across the South… At the outset of the book, McCurry insists that she is not going to ask or answer the timeworn question of why the South lost the Civil War. Yet in her vivid and richly textured portrait of what she calls the Confederacy’s ‘undoing,’ she has in fact accomplished exactly that.
Good history teaches readers about the past, excellent history offers perspective on the present. By this standard, Stephanie McCurry’s Confederate Reckoning surely achieves excellence… McCurry offers a carefully researched and well-grounded frontal assault, examining secession’s causes and actualities. She quickly disposes of the claims that the war was really about anything other than slavery, demonstrating that fanciful patinas such as ‘states rights’ merely meant linguistic obfuscation of that brutal reality… As modern citizens decry government actions and hearken back to an ideal that never was, so too did the South assert a wish to return to a fictional revolutionary era utopia… McCurry shines a light on the South’s brutal reality and thus encourages us to cast a cold analytical eye on our own.
A staggeringly smart analysis of the politics of the Confederacy—indeed, she has written one of the most illuminating and creative studies of 19th-century American political life, period… I have been waiting for McCurry’s second book to be published since I read Masters of Small Worlds over a decade ago; it is a triumph of political history, and it was well worth the wait.
Forceful and elegantly written…this book [is] a landmark piece of Civil War historiography.
Combining the best of the tradition of writing history ‘from the bottom up,’ with prodigious research, and a red thread of analytical brilliance, Confederate Reckoning dramatically reshapes our understanding of the history of slavery and the Civil War.
This is a major book [that] permanently rewrites the history of the Confederacy.
Analyzing the experience of women, African Americans, and others often placed at the margins of Confederate history, McCurry powerfully challenges readers to get beyond high politics and storied military campaigns to engage a profoundly complicated, and often surprising, story of struggle and change amid seismic events.
Stephanie McCurry is the author of Confederate Reckoning, a finalist for the Pulitzer Prize and winner of the Frederick Douglass Prize, the Merle Curti Prize, the Avery O. Craven Award, and the Willie Lee Rose Prize; and Masters of Small Worlds, winner of the John Hope Franklin Prize and four other awards. She also received a Guggenheim Fellowship. McCurry is the R. Gordon Hoxie Professor of History in Honor of Dwight D. Eisenhower at Columbia University. She grew up in Belfast, Ireland, during the Troubles.