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An alternative biography of Shakespeare seen through the lens of queer Elizabethan England. From the Head of Research at The Globe, London.
A creative and capacious book that moves smoothly between recorded and speculative history . . . [Tosh] offers persuasive readings of expressions of same-sex desire in Shakespeare's writing. This is by any standard a lively and accomplished biography of Shakespeare . . . His gift, rather, is to bring scholarly rigour to bear on queerness in early modern England. Straight Acting shines the same light on Shakespeare's England as some of the Globe's best productions
Snappy . . . a necessary provocation
At once magisterial and saucy, Straight Acting gets to the heart of Shakespeare's queer literary formation. Will Tosh writes with clarity and cheek, drawing on forgotten contemporaries, reminding us of the cultural status of ancient Greek texts and their sexual mores, and remapping a homoerotic geography of Elizabethan London. His account is deeply researched - but most importantly, it breaks down the barriers between lived experience and desires today, and four centuries ago. This fresh account kickstarts the queer canon of English literature: Shakespeare won't go back in the closet again
A scholarly romp through the rich complexities of Shakespeare's queer life, work and culture. Engrossing, enlightening and hugely entertaining
Straight Acting is brilliant - so vivid and so sharp, fantastically clever and consistently fascinating. It will change the way people think about Shakespeare, in rich and valuable ways
Will Tosh's tour through the spaces of Shakespeare's childhood, youth and early years as a dramatist is utterly captivating. Marshalling his deep knowledge of the period and of Shakespeare and his contemporaries, he convinces us of the queerness of these times - and queerness not in the margins but in familiar structures of thought and feeling, in the everyday places where men learned, socialised, slept and were entertained, and in what Shakespeare wrote and had performed. He shows us that queerness wasn't just in a dance with the normal in Shakespeare's Stratford and London, it was in a profound sense part of what was normal. He thus pushes us to question how a sense of queerness weaves through our present and how it should figure in the ways we think about, stage and represent Shakespeare and his astonishing work now
A remarkable work of scholarship. Will Tosh brings Shakespeare's world to life, revealing the queer connections between his life and works in an amusing and accessible manner
As well as a deep analysis of one man's life, Straight Acting is a treasure trove of queerness from the Elizabethan era as a whole. I loved it, and it is required reading for anyone who thinks they know Shakespeare
Will Tosh is Head of Research at Shakespeare's Globe, London. He is a scholar of early modern literature and culture, a dramaturg for Renaissance classics and new plays and an historical adviser for television and radio. He is the author of two academic books, and he appears regularly in the media to discuss Shakespeare and his world.
A creative and capacious book that moves smoothly between recorded and speculative history . . . [Tosh] offers persuasive readings of expressions of same-sex desire in Shakespeare's writing. This is by any standard a lively and accomplished biography of Shakespeare . . . His gift, rather, is to bring scholarly rigour to bear on queerness in early modern England. Straight Acting shines the same light on Shakespeare's England as some of the Globe's best productions
Snappy . . . a necessary provocation
At once magisterial and saucy, Straight Acting gets to the heart of Shakespeare's queer literary formation. Will Tosh writes with clarity and cheek, drawing on forgotten contemporaries, reminding us of the cultural status of ancient Greek texts and their sexual mores, and remapping a homoerotic geography of Elizabethan London. His account is deeply researched - but most importantly, it breaks down the barriers between lived experience and desires today, and four centuries ago. This fresh account kickstarts the queer canon of English literature: Shakespeare won't go back in the closet again
A scholarly romp through the rich complexities of Shakespeare's queer life, work and culture. Engrossing, enlightening and hugely entertaining
Straight Acting is brilliant - so vivid and so sharp, fantastically clever and consistently fascinating. It will change the way people think about Shakespeare, in rich and valuable ways
Will Tosh's tour through the spaces of Shakespeare's childhood, youth and early years as a dramatist is utterly captivating. Marshalling his deep knowledge of the period and of Shakespeare and his contemporaries, he convinces us of the queerness of these times - and queerness not in the margins but in familiar structures of thought and feeling, in the everyday places where men learned, socialised, slept and were entertained, and in what Shakespeare wrote and had performed. He shows us that queerness wasn't just in a dance with the normal in Shakespeare's Stratford and London, it was in a profound sense part of what was normal. He thus pushes us to question how a sense of queerness weaves through our present and how it should figure in the ways we think about, stage and represent Shakespeare and his astonishing work now
A remarkable work of scholarship. Will Tosh brings Shakespeare's world to life, revealing the queer connections between his life and works in an amusing and accessible manner
As well as a deep analysis of one man's life, Straight Acting is a treasure trove of queerness from the Elizabethan era as a whole. I loved it, and it is required reading for anyone who thinks they know Shakespeare
Will Tosh is Head of Research at Shakespeare's Globe, London. He is a scholar of early modern literature and culture, a dramaturg for Renaissance classics and new plays and an historical adviser for television and radio. He is the author of two academic books, and he appears regularly in the media to discuss Shakespeare and his world.