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Omschrijving
The White Birch is a wide-ranging history of the relationship between Russian art, landscape and identity, through the lens of the white birch, Russia's unofficial national tree.
A natural-political exploration of Russian relationships with the birch tree across past, present, and future. Moving from the Tsarina's garden to the Soviet Gulag, from Chernobyl to Lake Baikal, The White Birch is elegant and intrepid, like its subject
'Genuinely revelatory'
There could be no better guide through the thickets of meaning, history and imagery that entangle with the birch tree than figurative forester Tom Jeffreys
A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree
I love this book. Jeffreys admits he doesn't know where he's going at every turn, but trusts his instinct - and his ear for a good story - as he tries to untangle myth from fact . . . This is the great joy of The White Birch
With elegance, humour, and deep insight . . . The White Birch is a daring, at once sympathetic and critical, experiment in interpreting how national identity is entwined with a tree. More than a book, it is a mirror and a magnifying glass, through which to observe the all-too-human and the other-than-human worlds, as well as, of course, ourselves
The White Birch is a wonderful book: at once an idiosyncratic personal journey and an erudite and clear-eyed critical study. Jeffreys is a deeply human writer and a smart and honest critic who here, splitting the timber of the Russian birch, finds his way deep into the Russian idea of Russia
Tom Jeffreys is a writer and critic with a particular interest in art that engages with environmental questions. His writing has appeared in publications including ArtReview, Frieze, the Independent, Monocle, New Scientist and The World of Interiors. He is the author of Signal Failure: London to Birmingham, HS2 on foot (Influx Press, 2017) and editor of online magazine The Learned Pig. He lives in Edinburgh and is obsessed with cricket.
A natural-political exploration of Russian relationships with the birch tree across past, present, and future. Moving from the Tsarina's garden to the Soviet Gulag, from Chernobyl to Lake Baikal, The White Birch is elegant and intrepid, like its subject
'Genuinely revelatory'
There could be no better guide through the thickets of meaning, history and imagery that entangle with the birch tree than figurative forester Tom Jeffreys
A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree
I love this book. Jeffreys admits he doesn't know where he's going at every turn, but trusts his instinct - and his ear for a good story - as he tries to untangle myth from fact . . . This is the great joy of The White Birch
With elegance, humour, and deep insight . . . The White Birch is a daring, at once sympathetic and critical, experiment in interpreting how national identity is entwined with a tree. More than a book, it is a mirror and a magnifying glass, through which to observe the all-too-human and the other-than-human worlds, as well as, of course, ourselves
The White Birch is a wonderful book: at once an idiosyncratic personal journey and an erudite and clear-eyed critical study. Jeffreys is a deeply human writer and a smart and honest critic who here, splitting the timber of the Russian birch, finds his way deep into the Russian idea of Russia
Tom Jeffreys is a writer and critic with a particular interest in art that engages with environmental questions. His writing has appeared in publications including ArtReview, Frieze, the Independent, Monocle, New Scientist and The World of Interiors. He is the author of Signal Failure: London to Birmingham, HS2 on foot (Influx Press, 2017) and editor of online magazine The Learned Pig. He lives in Edinburgh and is obsessed with cricket.